<?xml version="1.0" encoding="iso-8859-1"?>
<rss version="2.0">
<channel>
<title>Desicritics Section: Culture</title>
<link>http://desicritics.org/culture/</link>
<description>Superior South Asian bloggers on Culture, Media, Politics, Sport, Business, and Technology.</description>
<language>en</language>
<copyright>Copyright 2006 by the authors</copyright>
<lastBuildDate>Wed, 19 Nov 2008 11:55:02 EST</lastBuildDate>
<docs>http://backend.userland.com/rss</docs>
<generator>BC custom software</generator>

<item>
<title>Dancing on the Streets, World Literature Festival Oslo, September 2008</title>
<link>http://desicritics.org/2008/11/19/115502.php</link>
<author>Amitabh Mitra</author><description>&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;img src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/TalkingonSouthAfricanPoetry41-1.jpg&quot; alt=&quot;&quot; width=&quot;120&quot; height=&quot;160&quot; align=&quot;left&quot; /&gt;&lt;/p&gt;
&lt;p&gt;How do I start describing the World Literary Festival at Oslo in September this year?&lt;/p&gt;
&lt;p&gt;Shall we talk about trams first? Yes, Trams, the same trams that rumbles down on busy thoroughfares of Kolkata. Trams are reminiscent of the British Raj in India and therefore boarding a tram from the Oslo dockyard with its familiar gongs at intervals was an experience lingering that I think of putting down hastily on the paper. Trams and Poets have a common link. The best of love poetry started off inevitably in trams as I see couples clinging on to each other. Love poetry sat on such a tram one day and it built itself up as streets and ancient buildings ran around it, people dropped by and parted till the conductor announced brusquely, &amp;lsquo;This is the last Stop&amp;rsquo;&lt;/p&gt;
&lt;p&gt;&lt;img style=&quot;width: 314px; height: 235px&quot; src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/WithAdamDonaldsonPowellatOsloPier1.jpg&quot; alt=&quot;&quot; width=&quot;314&quot; height=&quot;235&quot; align=&quot;middle&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;The tram stopped and we got down. That was Adam Donaldson Powell, the moderator and key organiser of the Festival, Professor Santosh Kumar an academic from Allahabad, India, his son Karunesh, &amp;nbsp;the owner of the well known publishing house, &amp;lsquo;Cyberwit&amp;rsquo; in India, &amp;nbsp;Barbara, &amp;nbsp;a poet / artist from Canada and obviously me. We are at the Vigeland Sculpture Park in Oslo. The park contains 192 sculptures with more than 600 figures, all modelled in full size by Gustav Vigeland without the assistance of pupils or other artists. Vigeland also designed the architectural setting and the layout of the grounds.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;img style=&quot;width: 314px; height: 235px&quot; src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/Theangryboy1.jpg&quot; alt=&quot;&quot; width=&quot;314&quot; height=&quot;235&quot; /&gt;&lt;/p&gt;
&lt;p&gt;The park is the most beautiful ecological marvel keeping in pace with modern sculpture in a world where space and greenery is becoming increasingly rare. They harmoniously blend on to each other. Among all the sculptures that show human beings in its majestic forms, popping muscles, I mentioned to Professor Santosh, &amp;lsquo; Gustav Vigelland knew the human anatomy well&amp;rsquo;; is this towering phallic column known as the Monolith. The column, 14.12 meters (46 feet) high carved out of a single block of stone, consists of 121 figures. Modeled by Vigeland in the years 1924-25, it took three stone carvers from 1929 to 1943 to complete the Monolith, just shortly before Vigeland died. The column is completely covered by human figures in relief, singly or in groups. At the bottom there are seemingly inert bodies. Above them figures ascend in a spiral, the movement halting midway and then rising at a fast pace towards the summit which is covered by small children. Various interpretations of the Monolith have been suggested: Man&amp;#39;s resurrection, the struggle for existence, Man&amp;#39;s yearning for spiritual spheres, the transcendence of everyday life and cyclic repetition.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;img style=&quot;width: 314px; height: 235px&quot; src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/Girls.jpg&quot; alt=&quot;&quot; width=&quot;314&quot; height=&quot;235&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;br clear=&quot;all&quot; /&gt;&lt;/p&gt;
&lt;p&gt;I ate my favourite &amp;lsquo;Parle Crackjack&amp;rsquo; biscuits from India which Karunesh generously gave me at the foot of the monolith and we made sure that we don&amp;rsquo;t drop the crumbs. Adam informed us that this park remains a favourite haunt of all lovers even in severe winters. The Pier from where we had started our journey had a number of boats with sails docked there. They reminded me of traditional Arabic boats or Dhows of Dubai. I thought of the mighty Viking ships that use to traverse all the way to Ireland from Norwegian coasts. I asked Adam about the dogs that the Vikings use to take with them during such plunders. I had suddenly remembered about the dogs in the company of Vikings in my favourite cartoon strip, &amp;lsquo;Asterix and Obelix&amp;rsquo;. Adam remained unsure although he has a dog that definitely doesn&amp;rsquo;t have a Viking lineage.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;img style=&quot;width: 314px; height: 235px&quot; src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/Mother1.jpg&quot; alt=&quot;&quot; width=&quot;314&quot; height=&quot;235&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;Frankfurt Airport, A suspicious official takes a long look at my passport, my long hair and my tattered Levis. Who am I he asks inquisitively &lt;/p&gt;
&lt;p&gt;A Poet, pop came the answer&lt;/p&gt;
&lt;p&gt;Going to&amp;hellip;.&lt;/p&gt;
&lt;p&gt;Oslo, I answered&lt;/p&gt;
&lt;p&gt;Business?&lt;/p&gt;
&lt;p&gt;No,Poetry reading at the Poetry Festival&lt;/p&gt;
&lt;p&gt;Your profession?&lt;/p&gt;
&lt;p&gt;I am a Poet, I had told u earlier&lt;/p&gt;
&lt;p&gt;U mean You make money by writing poetry, he asked quizzically&lt;/p&gt;
&lt;p&gt;Yes, Sir&lt;/p&gt;
&lt;p&gt;I left a very unhappy man at the airport.&lt;/p&gt;
&lt;p&gt;I have arrived at Oslo sans baggage. I am perturbed knowing that the suitcase with all published books, journals and lecture notes is still at Johannesburg Airport. Nasra Omar Ali is a god sent angel. She finds me at the airport at a time when I was visibly disturbed. She took over from me all the decisions of my further movements via the train and the walk to the downtown hotel. During that period I came to know that she is a Somali born in Oslo. I told her about the Somali refugees in South Africa, their determination to resist xenophobia and many ways they have prospered in Madantsane, the place where I practice medicine. &lt;/p&gt;
&lt;p&gt;Oslo down town looks like a beautiful woman in its festivity best. Cobbled streets, flower beds, people cycling, which would be a long lasting impression of Oslo. The World Literature Festival is happening right at the centre of the town. There is a huge white tent that has been erected and all around it are streets on which I found that there were impromptu mini festivals of music, dance and theatre that were happening all the time. Oslo is definitely the cultural capital of Europe.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;img style=&quot;width: 314px; height: 235px&quot; src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/Osloatitsbest.jpg&quot; alt=&quot;&quot; width=&quot;314&quot; height=&quot;235&quot; /&gt; &lt;br /&gt;&lt;/p&gt;
&lt;p&gt;I talked on Contemporary trends in South African Poetry quoting extensively from the poetry of Kobus Moolman and Phillippa Yaa de Villiers, two poets whose books I have taken all around the world. Post Apartheid South African Poetry, its versatility is something that we all South Africans are proud of. Professor Santosh Kumar who interviewed me also felt that South African contemporary poetry is still in a transitional stage in a young democracy. A far more mature form would evolve in the years to come. &lt;/p&gt;
&lt;p&gt;At a debate on Current and Future Trends in Electronic Publishing, I concluded that apart from all other aspects, I personally feel that while electronic publishing is here to stay in a major way, traditional book publishing will not vanish, at least for the next two centuries. The reasons are:&amp;nbsp;Humans are just too used to romancing paper. There is something wholesome and good about paper that makes us buy hallmark cards even though it&amp;#39;s easier and far cheaper to send attractive e-cards;&amp;nbsp;Complete books are too long to be read solely on the computer. Besides the computer is not portable enough, despite laptops and smart phones - which carry bite size stories, popular in Japan, and the famous sms language, these days you even have sms poetry competitions and calls for phone fiction! Down loadable books in PDF&amp;nbsp;paid for via paypal and ready to print out in your home printer is a very good option, but humans are not honest enough, and many will find ways to beat the nominal price asked for. My friend and colleague, Victoria Valentine&amp;rsquo;s views were read out by me. She writes &amp;ndash;As a small press publisher since 2001, and being someone who is very passionate and dedicated to the promotion of new and established writers, I have become quite disillusioned and disheartened with the entire publishing industry, distribution and sales markets. I have weathered extreme difficulties both financially and physically to publish books on a regular basis for the purpose of placing print materials into the marketplace&amp;mdash;not for profit, but solely to further the struggling efforts of new authors.&amp;nbsp; &lt;/p&gt;
&lt;p&gt;Regardless of dauntless work hours of writers and small press, many print and online publications die daily because of the surmounting challenges that face us.&amp;nbsp; Even in the face of disappointment and adversity, we hang in there and forge ahead, regardless of the hurdles we have to jump&amp;mdash;in the hope that someday we&amp;rsquo;ll find our niche and realize our dreams&amp;mdash;find success and recognition for our hard work, and be rewarded for what we all strive for.&lt;/p&gt;
&lt;p&gt;&lt;img style=&quot;width: 448px; height: 336px&quot; src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/NotaStatue.jpg&quot; alt=&quot;&quot; width=&quot;448&quot; height=&quot;336&quot; /&gt;&lt;/p&gt;
&lt;p&gt;Our ambitious project of publishing a poetry collection of international repute to be launched during the festival had started about a year back. &lt;i&gt;Tonight, An Anthology of World Love Poetry&lt;/i&gt; was launched with a lot of fanfare and its first copy gifted to Adam Donaldson Powell, one of Norway&amp;rsquo;s most popular poet. I talked on the poetry of Mahmoud Darwish, the renowned Palestinian poet who had passed away recently, respected by Palestinians and Israelis for his efforts in peace and understanding. A one minute silence was maintained at my request by poets from all over the world at the festival.&lt;img src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/TonightCover1-1-1.jpg&quot; alt=&quot;&quot; hspace=&quot;5&quot; vspace=&quot;5&quot; width=&quot;112&quot; height=&quot;160&quot; align=&quot;left&quot; /&gt; &lt;/p&gt;
&lt;p&gt;Geoff Jackson arrived from Denmark. He had told me in advance about his arrival and I had communicated to the organisers about it. We both belong to a Yahoo poetry group called Glorioustimes in India. We were meeting for the first time as much as most of the poets there whom I had known only on the internet till then. It was like &amp;lsquo;Mr. Livingstone, I presume&amp;rsquo; and after that followed all encompassing bear hugs and more laughter. Got a little back ache after that trying to lift so many obese poets.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;img src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/Attherestaurentatnight-1.jpg&quot; alt=&quot;&quot; width=&quot;320&quot; height=&quot;240&quot; /&gt; &lt;/p&gt;
&lt;p&gt;The festival was coming to an end but not the enthusiasm of participating poets. Eli Borchgrevink, the convenor and organiser is a ballet dancer. She tells me about dance forms that can be integrated with poetry. I screened clips from my poetry film which brought visual arts, poetry and music in a documentary shot by me. Poetry is a massive movement featuring unknown poets where trends change every other day and geographical boundaries are erased in such festivals and beyond.&lt;/p&gt;
&lt;p&gt;&lt;img style=&quot;width: 448px; height: 336px&quot; src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/MauritianaMusic.jpg&quot; alt=&quot;&quot; width=&quot;448&quot; height=&quot;336&quot; /&gt;&lt;/p&gt;
&lt;p&gt;I remember Rafael Prado Gutierrez from Santiago de Cuba and his foot tapping Cuban music enmeshed with Caribbean rhythms. I was entranced with the music of Becawe Aw of Mauritania. He sang and played African blues guitar with the beautiful Unni Lovid about nomadic living and longings. He was pleased to meet another African so far from home. Trouble is brewing at his home. The President Sidi Mohamed Ould Cheikh Abdallahi was ousted by a military junta and kept under house arrest.&lt;/p&gt;
&lt;p&gt;&lt;img style=&quot;width: 314px; height: 235px&quot; src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/playingthemeofLoveStoryatoneinthemo.jpg&quot; alt=&quot;&quot; width=&quot;314&quot; height=&quot;235&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;img style=&quot;width: 314px; height: 235px&quot; src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/NightLifeinOslo1.jpg&quot; alt=&quot;&quot; width=&quot;314&quot; height=&quot;235&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;img style=&quot;width: 314px; height: 235px&quot; src=&quot;http://i232.photobucket.com/albums/ee175/amitabhmitra/ThatsmeunderneaththePiano1.jpg&quot; alt=&quot;&quot; width=&quot;314&quot; height=&quot;235&quot; /&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Its midnight in Oslo. I look out from my hotel window and see groups of people walking down the street below. Somewhere somebody is playing the blues. I rush out and mingle with the crowd. Dancing on the streets with some friendly Norwegians was never so good. There is music everywhere and a spring on the steps of everybody. Guzzling beer and dancing is all I did till I reached the early hours of the morning to my hotel where I danced my way to my room to the utter amazement of the receptionists.&amp;nbsp;&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8469@desicritics.org</guid>
<pubDate>Wed, 19 Nov 2008 11:55:02 EST</pubDate>
</item>
<item>
<title>Poessay: Rosary 18 - burning blazing fire rages</title>
<link>http://desicritics.org/2008/11/19/005401.php</link>
<author>temporal</author><description>&lt;div id=&quot;button_bar&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;img class=&quot;reflect&quot; src=&quot;http://farm4.static.flickr.com/3028/3042353215_cf8aafb37d.jpg?v=0&quot; alt=&quot;Burning, blazing by tanaybeherapics.&quot; width=&quot;214&quot; height=&quot;159&quot; /&gt;
&lt;p&gt;credit tanay behera&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;burning blazing fire rages&lt;br /&gt;combusting, charring fire rages&lt;br /&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; kehti hay&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; jalo, jalao, &lt;br /&gt; jalo aur jalao &lt;/i&gt;&lt;br /&gt;&lt;br /&gt;fire bowing to clay, we&amp;#39;re told&lt;br /&gt;created conflagration&lt;br /&gt;that continues to blaze in clay&amp;#39;s belly&lt;br /&gt;the satans of fire twirl their moustaches&lt;br /&gt;and smile diabolically at the lost ones&lt;br /&gt; (can the lost and wandering be misled?)&lt;br /&gt;&lt;br /&gt;this is not the fire of old&lt;br /&gt;nor the fluid fire&lt;br /&gt;that left noah dry&lt;br /&gt;&lt;br /&gt;beware for He is father&lt;br /&gt;of all fires, fury and furor&lt;br /&gt;merciful, compassionate, graceful&lt;br /&gt;&lt;blockquote&gt;&lt;i&gt;maloom hay humaiN&lt;br /&gt;yeh aag nahiN bajooz oos aag kay&lt;br /&gt;jo kisi aanay walay lumhay maiN&lt;br /&gt;sub aalamouN ko chupa laigi&lt;br /&gt;apnay shikanja e zeest maiN &lt;/i&gt;&lt;br /&gt;   (laikin maiN yeh bhee souchta hooN&lt;br /&gt;   kay ger tu paida kernay wala hay&lt;br /&gt;   tou hum tabah kernay walay kum nahiN&lt;br /&gt;   yeh da&amp;#39;wa nahiN khudai ka&lt;br /&gt;   taqaza hay t&amp;#39;ray ak&amp;#39;s ka)&lt;br /&gt; tum jalatay raho, thako mut&lt;br /&gt;    hum jaltay rahaiNgay bila thakawat&lt;br /&gt; &lt;/blockquote&gt;a glimpse of the promised inferno&lt;br /&gt;an ending, another big bang&lt;br /&gt;and yet another beginning&lt;br /&gt;your rage is creative, consuming&lt;br /&gt;and enraged we can only bow down&lt;br /&gt;and continue the destructive forays&lt;br /&gt; &lt;br /&gt; burning blazing fire rages&lt;br /&gt;  combusting, charring fire rages&lt;br /&gt;  &lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; kehti hay&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; jalo, jalao, &lt;br /&gt; jalo aur jalao &lt;/i&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt; Earlier:&lt;br /&gt;   &lt;a href=&quot;/2008/07/22/091943.php&quot; title=&quot;20080722091943&quot; name=&quot;20080722091943&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/24/095714.php&quot; title=&quot;20080724095714&quot; name=&quot;20080724095714&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/26/092106.php&quot; title=&quot;20080726092106&quot; name=&quot;20080726092106&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/22/091943.php&quot;&gt;Poessay: Rosary 1 - Pink Sand Beach&lt;/a&gt;&lt;br /&gt;   &lt;a href=&quot;/2008/07/24/095714.php&quot;&gt;Poessay: Rosary 2 - Fishing&lt;/a&gt;&lt;a href=&quot;/2008/07/26/092106.php&quot; title=&quot;20080726092106&quot; name=&quot;20080726092106&quot;&gt;&lt;br /&gt;Poessay: Rosary 3 - Adam and Eve Limited - I&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/28/000402.php&quot; title=&quot;20080728000402&quot; name=&quot;20080728000402&quot;&gt;Poessay: Rosary 4 - Adam and Eve Limited - II&lt;/a&gt;&lt;br /&gt;   &lt;a href=&quot;/2008/07/31/014507.php&quot; title=&quot;20080731014507&quot; name=&quot;20080731014507&quot;&gt;Poessay: Rosary 5 - Descending&lt;/a&gt;&lt;a href=&quot;/2008/08/01/124450.php&quot; title=&quot;20080801124450&quot; name=&quot;20080801124450&quot;&gt;&lt;br /&gt;Poessay: Rosary 6 - Dinner In The Park&lt;/a&gt;&lt;br /&gt;   &lt;a href=&quot;/2008/08/05/143154.php&quot;&gt;Poessay: Rosary 7 - Under the Jamun Tree&lt;/a&gt;&lt;a href=&quot;/2008/08/12/092156.php&quot; title=&quot;20080812092156&quot; name=&quot;20080812092156&quot;&gt;&lt;br /&gt;Poessay: Rosary 8 - Voices In The Air&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot; title=&quot;20080820060756&quot; name=&quot;20080820060756&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/16/032525.php&quot;&gt;Poessay: Rosary 9 - Life Rosary I&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot; title=&quot;20080820060756&quot; name=&quot;20080820060756&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot;&gt;Poessay: Rosary 10 - Life Rosary II&lt;/a&gt;&lt;br /&gt;   &lt;a href=&quot;/2008/08/27/035902.php&quot;&gt;Poessay: Rosary 11 - Creating In Isolation &lt;/a&gt;&lt;br /&gt;   &lt;a href=&quot;/2008/08/30/023508.php&quot;&gt;Poessay: Rosary 12 - Kohled Eyes&lt;/a&gt;&lt;br /&gt;   &lt;a href=&quot;/2008/09/04/084113.php&quot;&gt;Poessay: Rosary 13 - By the Lake&lt;/a&gt;&lt;br /&gt;   &lt;a href=&quot;/2008/09/25/081641.php&quot;&gt;Poessay: Rosary 14 - Snow Flakes&lt;/a&gt;&lt;br /&gt;   &lt;a href=&quot;/2008/10/09/041126.php&quot; title=&quot;20081009041126&quot; name=&quot;20081009041126&quot;&gt;Poessay: Rosary 15 - The Drop&lt;/a&gt;&lt;br /&gt;   &lt;a href=&quot;/2008/10/21/115605.php&quot; title=&quot;20081021115605&quot; name=&quot;20081021115605&quot;&gt;Poessay: Rosary 16 - Ageless Quest - tishnagi&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/11/14/102950.php&quot;&gt;Poessay: Rosary 17 - Hemashree&lt;/a&gt;&lt;a href=&quot;/2008/11/14/102950.php&quot; title=&quot;#main&quot; name=&quot;#main&quot;&gt;&lt;/a&gt;&lt;br /&gt; &lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8466@desicritics.org</guid>
<pubDate>Wed, 19 Nov 2008 00:54:01 EST</pubDate>
</item>
<item>
<title>Fitness, A Way Of Life</title>
<link>http://desicritics.org/2008/11/18/002148.php</link>
<author>Deepti Lamba</author><description>&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;&amp;quot;Two minutes, please? I cannot take it anymore!&amp;quot;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;Six days a week I sound like a petulant child when I visit the gym. The trainer gives a patient smile and replies &lt;i&gt;&amp;quot;Ma&amp;#39;am, two more minutes.&amp;quot;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;My two minutes are about taking a breather from the rigorous machine and his two minutes are to egg me on. I sweat, cuss, swelter and look my worst. The mirrors show me people of all sizes - some like me, some bigger than me and some so fit that I want to make cardboard cuts of them and peg them to my bedroom door to remind myself that this is what I want to be like.&lt;br /&gt;&lt;br /&gt;But would I have the same body structure like them? Probably not. Most of the bodies I admire belong to men. The admiration isn&amp;#39;t lecherous (rolling my eyes) but its about the seemingly unending stamina, the perfect abs and most of all the discipline that gives a perfect body.&lt;/p&gt;
&lt;p&gt;There is a gentleman about 74 year old who comes to the gym regularly. He runs on the treadmill, works on the elliptical machine and does heavy weights. He calls me &amp;#39;Ma&amp;#39;am&amp;#39; and I call him &amp;#39;Sir&amp;#39;. We smile at each other but conversation between us tends to be abrupt since my instructor keeps me more or less breathless and shaking the muscles that ache and demand less workouts. &lt;/p&gt;
&lt;p&gt;Initially I used to work out in the evening but past two days I moved to the morning shift. The music at the gym during the mornings is better and the place more crowded.&lt;/p&gt;
&lt;p&gt;The addiction is setting in. I am quite possessive about my workout and my diet. No chocolates, no pizzas, no sugar and definitely no potatoes. &lt;/p&gt;
&lt;p&gt;Most people at the gym watch their diet. Talking to them makes my resolution firmer and easier to carry forward. Exercising  may soon become a way of life for me. Clothes fit better, inches and weight are falling off, my skin has become better and most of all I am in a much better mood.&lt;/p&gt;
&lt;p&gt;It took me a while to realize that taking care of myself didn&amp;#39;t merely mean having time to feed my brain but also ensure I took care of my body the right way. &lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8464@desicritics.org</guid>
<pubDate>Tue, 18 Nov 2008 00:21:48 EST</pubDate>
</item>
<item>
<title>Temporary Mates</title>
<link>http://desicritics.org/2008/11/16/005423.php</link>
<author>Deepti Lamba</author><description>&lt;p&gt;When kittens get affectionate with their human surrogate mother, it&amp;#39;s time to give them away. Zoey&amp;#39;s kittens are nearly two months old. They emerged from under my cupboard a week ago and decided the entire house was their playground and I was their second mama.&lt;img src=&quot;http://www.swingingpuss.com/upload/2008/11/Molly.jpg&quot; alt=&quot;Molly.jpg&quot; width=&quot;127&quot; height=&quot;95&quot; align=&quot;right&quot; /&gt;&lt;br /&gt;&lt;br /&gt;They followed Zoey&amp;#39;s example to become self sufficient. They litter trained themselves, took to food on their own and decided I was a safe mate as well. &lt;br /&gt;&lt;br /&gt;I tried my best not to fall in love with them. I knew a day will come when we will bid them adieu and get back to having two cats. But those fluff balls began to hunt me down systematically.&lt;img src=&quot;http://www.swingingpuss.com/upload/2008/11/white%20kitten.jpg&quot; alt=&quot;white%20kitten.jpg&quot; width=&quot;128&quot; height=&quot;97&quot; align=&quot;right&quot; /&gt;  &lt;br /&gt;&lt;br /&gt;They continue to greet me by pouncing on my feet, meow plaintively or snuggle up against me while I watch television in the living room and recently they have taken up to sleeping on me at night if I doze off in the living room.&lt;br /&gt;&lt;br /&gt;Zoey watches their antics with gentle benevolence. Kensei shows fatherly affection and keeps them in line. Its a perfect family that reflects innocence and forwards unconditional love.&lt;img src=&quot;http://www.swingingpuss.com/upload/2008/11/PB110028.JPG&quot; alt=&quot;PB110028.JPG&quot; width=&quot;143&quot; height=&quot;191&quot; align=&quot;right&quot; /&gt;&lt;br /&gt;&lt;br /&gt;The problem is, I make an unwilling member in that feline circle of affection. I am the Judas who will bring turbulence in their tiny lives, push them out of their secure haven and into a world that may not treat them kindly.                                                                                                                                           &lt;br /&gt;&lt;br /&gt;Part of me feels apprehensive even for those kittens I know for sure will go to loving homes. Its a motherly anxiety that I am trying to dampen.&lt;br /&gt;&lt;br /&gt;One of our friends will be coming over to take one of the kittens. He is quite excited about adopting a fluff ball but i still feel twinges of unfounded concern. I want to make the transition as comfortable as possible for the little one. Give advice and worse of all I want to visit his home once the kitten has settled in to see how the kitten is doing.&lt;br /&gt;&lt;br /&gt;Obviously, I will apply restrain over my irrational fears, turn my heart into a stone when Zoey calls out to her given away kittens and put away the home made kitten toys.&lt;br /&gt;&lt;br /&gt;I will miss those pesky little brats. &lt;br /&gt;&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8442@desicritics.org</guid>
<pubDate>Sun, 16 Nov 2008 00:54:23 EST</pubDate>
</item>
<item>
<title>Fiction: A Few Reasons to Return Home</title>
<link>http://desicritics.org/2008/11/16/004728.php</link>
<author>Vinod Joseph</author><description>&lt;p&gt;Sreejit&#039;s face has a look of intense concentration as his fat index finger glides over his Blackberry&#039;s scroller.  No, Tim hasn&#039;t replied to his angry email yet. To be honest, Sreejit isn&#039;t expecting a reply from that bastard. Tim&#039;s last email had made it clear that the next round of discussions would take place only after three months. &lt;br/&gt;
 &lt;br/&gt;
The man sitting to Sreejit&#039;s left has a respectful look on his face. A Blackberry is not a very common sight in Kerala, not even in the first class waiting room at the Ernakulam Junction railway station. The man wants to tell Sreejit something, but Sreejit refuses to make eye contact. Instead, he opens old emails and reads them, his eyes focussing on the screen intensely as if he is reading something very important, as if they are unread emails. &lt;/p&gt;
&lt;p&gt;An announcement is made over the loudspeaker. &#039;The Netravati express is &#039;shortly expected to arrive on platform number 3.&#039;  Sreejit rolls his eyes in exasperation and puts the Blackberry into the travel pouch around his waist. &#039;I don&#039;t believe this,&#039; he says loud enough for his neighbour to hear.&lt;/p&gt;
&lt;p&gt;Sreejit&#039;s neighbour does not let go of the opportunity. &#039;This train is always late. Today  it is late by only forty minutes. Usually it is late by at least four hours.&#039;&lt;/p&gt;
&lt;p&gt;Sreejit exhales and tells his neighbour, &#039;before leaving for the station, I called up Railway Enquiries and asked them if this train was on time. And they said it was.&#039;&lt;/p&gt;
&lt;p&gt;&#039;IST stands for Indian Stretchable Time. Forty minutes late ... that&#039;s not late at all!&#039; the neighbour guffaws. &#039;Once this Netravati Express was twenty four hours late. It came exactly on time, the next day!&#039;&lt;/p&gt;
&lt;p&gt;&#039;I guess I&#039;ve got used to seeing things done in a different way. I&#039;ve been away from all this for almost five years now.&#039;&lt;/p&gt;
&lt;p&gt;The opening is not wasted. &#039;Are you from the States?&#039;&lt;/p&gt;
&lt;p&gt;&#039;No, from the UK. I mean, things are not perfect over there. Trains do run late once in a while. But, this ...&#039; here Sreejit stops for emphasis. &#039;This is incredible. They don&#039;t even apologise for the train being late. And of course, there is no need to explain to us why the train is late.&#039;&lt;/p&gt;
&lt;p&gt;Sreejit&#039;s neighbour becomes an apologist for Indian Railways. &#039;Netravati is coming all the way from Bombay. A journey of over 24 hours. So it can be a little bit late.&#039;&lt;/p&gt;
&lt;p&gt;&#039;I ought to have taken a taxi to Trivandrum. I was told the train will be more comfortable.  Now I&#039;m not too sure.&#039;&lt;/p&gt;
&lt;p&gt;&#039;My name is Babu. What&#039;s your good name?&#039;&lt;/p&gt;
&lt;p&gt;Sreejit is trapped. As a rule, he does not talk to strangers when travelling on trains. A  habit inculcated over five years cannot be ignored. But he does not have a choice. He is forced to admit that he answers to Sreejit. &lt;/p&gt;
&lt;p&gt;The train enters the station majestically. There is a rush of activity. People rush to the doors and mill around. Some people start getting inside even before the passengers have got off the train. Sreejit and Babu are travelling first class and so they don&#039;t have to fight their way into the train. They settle in a section of the compartment which has only two other people, an old man sleeping in a corner and a woman in her thirties. &lt;/p&gt;
&lt;p&gt;The first class seats are reasonably comfortable, but there&#039;s dirt on the windows. Sreejit takes care to ensure that he doesn&#039;t touch the window sill. &lt;/p&gt;
&lt;p&gt;The train has been at the station for fourteen minutes now. Sreejit looks at his watch and gives Babu an enquiring look. Why not? Babu is more than happy to explain matters. &#039;This train has come all the way from Bombay. At this stage, it won&#039;t be very punctual.&#039;&lt;/p&gt;
&lt;p&gt;&#039;Makes a lot of sense to me. It&#039;s a 28 hour journey to Trivandrum, isn&#039;t it? Why be punctual for the last leg from Ernakulam?&#039; Sreejit does not hide his scorn.&lt;/p&gt;
&lt;p&gt;&#039;It&#039;s scheduled to stop for ten minutes. Since it is late...&#039;&lt;/p&gt;
&lt;p&gt;&#039;Since it is running late, I would expect it to leave as early as possible. It&#039;s been here for almost fifteen minutes now.&#039;&lt;/p&gt;
&lt;p&gt;Babu changes the topic. &#039;Are trains very punctual in England?&#039;&lt;/p&gt;
&lt;p&gt;Sreejit sighs and gives Babu a happy smile. He takes his time in replying. &#039;You know, I have a rather long commute to my place of work. I live in Reigate, that&#039;s in Surrey and I catch a train to London Bridge from Reigate everyday. Once every ten days or so, a train will be late, by a couple of minutes. And once a month or so, a train will be held up for say, ten minutes.&#039;&lt;/p&gt;
&lt;p&gt;&#039;Is that all? In India we are used to trains running late all the time....&#039;&lt;/p&gt;
&lt;p&gt;&#039;When a train is late by a few minutes, we start cribbing. In the UK, people complain about minor things. Out here people are passive. People don&#039;t care if the trains run late.&#039;&lt;/p&gt;
&lt;p&gt;&#039;There&#039;s not much point in cribbing in India. We have too many people and not enough ...&#039;&lt;/p&gt;
&lt;p&gt;&#039;I don&#039;t think so. It&#039;s also a question of attitude. If a train is late, there will be an announcement every few minutes explaining the reason for the absence. They&#039;ll tell us the train is held up at such and such a place due to such and such a reason.&#039;&lt;/p&gt;
&lt;p&gt;&#039;You must find it so difficult here after living in England.&#039;&lt;/p&gt;
&lt;p&gt;&#039;I hate to say this, but after living in the UK, it&#039;s so difficult to adjust to the way things are done here.&#039;&lt;/p&gt;
&lt;p&gt;The train moves off and Sreejit heaves a sigh of relief. &#039;Finally,&#039; he exhales. Babu sighs in relief as well, as if he is too embarrassed at having been let down by Indian Railways in front of a foreigner. &lt;/p&gt;
&lt;p&gt;Sreejit decides to re-read the email he received from Tim a few days before he went on leave. It doesn&#039;t matter how many times he has read it before, Sreejit feels a fresh pang  of rejection each time. Tim&#039;s email was very blunt and to the point. As discussed at the review meeting held the previous day, Sreejit&#039;s performance was not satisfactory. They didn&#039;t think he was capable of fulfilling the requirements of his role. They realised that Sreejit had a demanding role, but if Sreejit could not improve his performance and meet the five objective parameters set out below in the next three months, they would ask him to leave.&lt;/p&gt;
&lt;p&gt;A vendor arrives with lunch boxes - there&#039;s chicken biriyani, sambhar rice, curd rice, fish curry rice etc. Sreejit buys a chicken biriyani while Babu settles for some curd rice. They start eating. &lt;/p&gt;
&lt;p&gt;&#039;I heard that food in England is very bad. Is that true?&#039;&lt;/p&gt;
&lt;p&gt;&#039;Not at all. It is very hygienic and clean. You won&#039;t fall ill if you eat food from a vendor on a train.&#039;&lt;/p&gt;
&lt;p&gt;&#039;Oh! Do you have people selling food items like this?&#039;&lt;/p&gt;
&lt;p&gt;&#039;No, but each train, especially the long distance ones, will have a buffet trolley with an assortment of sandwiches and beverages.&#039;&lt;/p&gt;
&lt;p&gt;&#039;Sandwiches! Is that all you get? It must be very difficult to live on such things?&#039;&lt;/p&gt;
&lt;p&gt;&#039;I am used to that now. Actually, these days, I don&#039;t like spicy food. Come to think of it, why add spices to food? They don&#039;t have any nutritional value. In fact, they deflect the real taste of food. If you eat spicy food all your life, your taste buds will slowly die. You won&#039;t be able to appreciate subtle flavours. In fact, Indian food doesn&#039;t have subtle flavours.&#039;&lt;/p&gt;
&lt;p&gt;They go back to their foil packed food. Sreejit chuckles to himself. At the pub the day before he went on leave, he had nicknamed Tim Dr. No and everyone had laughed. Hopefully  the name would stick. Tim had a habit of starting every sentence with a No. They all hated Tim and his joke had made him very popular. But Sreejit was the first of Tim&#039;s victims. Why had Tim picked on Sreejit? &lt;/p&gt;
&lt;p&gt;Sreejit finishes his lunch first, because he doesn&#039;t eat half of it. He looks around for a bin to dump his foil pack, but doesn&#039;t find one. &#039;Just throw it out of the window,&#039; Babu tells him. Sreejit is disgusted beyond words, but he reluctantly opens a window and throws out the wrapper. He then goes to the end of the compartment to wash his fingers in the tap.  When he comes back, Babu is the process of disposing his lunch wrapper through the window. &lt;/p&gt;
&lt;p&gt;&#039;I just don&#039;t understand why there can&#039;t be a few bins in every compartment? Labour is cheap in this country. It won&#039;t cost too much to have the bins emptied at every other station!&#039;&lt;/p&gt;
&lt;p&gt;&#039;We are used to all this,&#039; Babu put in mildly.&lt;/p&gt;
&lt;p&gt;&#039;I guess I shouldn&#039;t be shocked, but I am. Each time I return to India, I get a jolt when I see the way things are done here.&#039;&lt;/p&gt;
&lt;p&gt;They are silent for a while. The train reaches Allepey, but no one enters the first class compartment. &lt;/p&gt;
&lt;p&gt;Sreejit opens Tim&#039;s email once again. He goes through the five parameters they have set for him. They appear objective but they are not. His technical knowledge apparently is not good enough. How the heck can such an allegation be called objective? Before Tim arrived on the scene with a mandate to &#039;trim&#039; the company, no one had complained about his technical knowledge. If at the end of three months, Tim &#039;objectively&#039; decides that his technical knowledge is still not good enough, they can fire him and there is precious little he can do about it. He has consulted an employment lawyer. His company is entitled to fire him as long as it follows all the procedures, he has been told. He can take his company to the employment tribunal claiming unfair dismissal, but unless he can prove that his termination is on account of race or religion, he is unlikely to win. No, he can prove nothing of that sort. All his colleagues are polite to him outwardly. No one has assailed him on account of his religion or skin colour. He isn&#039;t a homosexual or anything is he? his lawyer had asked him wistfully. If he is and is being harassed about it by his boss, he might sustain a claim that he is being terminated on account of his sexual orientation. No, I am not gay, Sreejit had politely replied though he wanted to scream at the lawyer who charged him 300 pounds an hour. &lt;/p&gt;
&lt;p&gt;It is actually the last of the five parameters which hurts the most. He can live with an allegation of inadequate technical knowledge since he knows that it is a lie. But he cannot live down the allegation that his client handling skills need to be improved. He has been asked to work on his verbal skills so that clients can understand him better. It was the last parameter which forced him to shoot off an angry reply to Tim just before he caught the flight to India. Yes, I do speak with an accent. However, I&#039;ve never had trouble communicating with anyone. That idiot who complained about my accent last month is prejudiced. He is biased. He is a racist. You don&#039;t have to believe him. Surely you know me better than that. I have been in the UK for 5 years now and my accent had always been legible. It was not as if I spend all my time talking to clients. Not more than ten percent of my time is spent with clients. I have been with the company for three years now and there had been only one complaint so far. &lt;/p&gt;
&lt;p&gt;He knows that Tim won&#039;t reply to his email. The Human Resources department has prepared Tim&#039;s email and any response will also be prepared by HR. They have done it many times before. The UK has some of the most employee friendly laws in the world, but if an employer wants to fire an employee, he can do so, provided he is patient and is willing to pay lip service to all the rules. &lt;/p&gt;
&lt;p&gt;&#039;So you don&#039;t see yourself ever returning to India, do you?&#039; Babu asks him.&lt;/p&gt;
&lt;p&gt;&#039;Actually, I might. There are so many things about India I don&#039;t like, but India is still home. I will come back to Kerala one day and settle down here.&#039;&lt;/p&gt;
&lt;p&gt;&#039;Really! That&#039;s very good. I thought you are....&#039; Babu hesitates and then continues, &#039;..you are one of those who hate India so much that they will never return.&#039;&lt;/p&gt;
&lt;p&gt;&#039;Ha! Ha! Of course not! I have gained so much from my experience in the UK and when I return, I will have a lot to contribute.&#039;&lt;/p&gt;
&lt;p&gt;&#039;I&#039;m sure of that. When are you likely to return for good? Anytime soon?&#039;&lt;/p&gt;
&lt;p&gt;&#039;I don&#039;t know. I may come back in a year&#039;s time, I may return after ten years. It all depends.&#039;&lt;/p&gt;
&lt;p&gt;Babu is too polite to ask what it depends on and merely gives Sreejit a smile as he goes back to his Blackberry.&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8460@desicritics.org</guid>
<pubDate>Sun, 16 Nov 2008 00:47:28 EST</pubDate>
</item>
<item>
<title>Poetry: kodak minutes - 1:22-1:42</title>
<link>http://desicritics.org/2008/11/16/004257.php</link>
<author>temporal</author><description>&lt;p&gt;the bus windows are foggy&lt;br /&gt; it has been raining&lt;br /&gt; correction - light drizzle&lt;br /&gt; falling leaves that drift &lt;br /&gt; are now stuck to the pavement&lt;br /&gt; in a primordial flaming carpet&lt;br /&gt; cars line up by the drive-in window&lt;br /&gt; a sign on the curb declares&lt;br /&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;i&gt;upto 90% off&lt;br /&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; saturday 2-5&lt;/i&gt;&lt;br /&gt; inside on desi tv&lt;br /&gt; an earnest young man i knew once&lt;br /&gt; now gray haired and assertive&lt;br /&gt; is painting a scenario with words&lt;br /&gt; while the host paces&lt;br /&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; and a lady MP &lt;br /&gt; and another investigative journalist&lt;br /&gt; whom i admire from a distance&lt;br /&gt; and frequently quote on baithak&lt;br /&gt; are waiting their turns&lt;br /&gt; the young audience&lt;br /&gt; scrubbed, full of idealism&lt;br /&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; and yet untouched &lt;br /&gt; by the incessant slaps of realism&lt;br /&gt; listen attentively&lt;br /&gt; &lt;br /&gt; m tells me caringly &lt;br /&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; to go to sleep&lt;br /&gt; i&amp;#39;ll i&amp;#39;ll i say unconvincingly&lt;br /&gt; last night i got up&lt;br /&gt; from slumber and could not sleep &lt;br /&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; and ended up&lt;br /&gt; watching india and england&lt;br /&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; and later&lt;br /&gt; palkistan and west indies&lt;br /&gt; before going to work&lt;br /&gt; &lt;br /&gt; the eyes were scanning the field&lt;br /&gt; but the mind was wandering&lt;br /&gt; over blatant injustices&lt;br /&gt; and more blatant displays of intolerance&lt;br /&gt; on this desi microcosm&lt;br /&gt; &lt;br /&gt; people who have nothing to say&lt;br /&gt; and say that every chance they get&lt;br /&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; on every board &lt;br /&gt; others who repeat&lt;br /&gt; the same thing over and over&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; when dust and ashes meet&lt;br /&gt; what will they talk about?&lt;br /&gt; &lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8458@desicritics.org</guid>
<pubDate>Sun, 16 Nov 2008 00:42:57 EST</pubDate>
</item>
<item>
<title>Poem: The African Poet</title>
<link>http://desicritics.org/2008/11/15/012517.php</link>
<author>Kashkin</author><description>&lt;p&gt;There sits a man, in the corner,&lt;br/&gt;
There sits a book, here with me&lt;br/&gt;
Woven in words, built by hands of labor&lt;br/&gt;
All in there, as the verses begin to bind&lt;br/&gt;
The human hears, the old souls&lt;/p&gt;
&lt;p&gt;Colors of creation from sweat and blood&lt;br/&gt;
Travel they like caravans of the night&lt;br/&gt;
Language that once had riders, facing sun&lt;br/&gt;
Now in repose, in silence,&lt;br/&gt;
For others to see&lt;br/&gt;
Its effects, as the journey begins&lt;br/&gt;
To emerge from the long dusty roads&lt;/p&gt;
&lt;p&gt;There sits my friend, an old friend,&lt;br/&gt;
In the distance, in shadows,&lt;br/&gt;
As Africa unveils&lt;br/&gt;
Its beauty and its splendor,&lt;br/&gt;
Through words and fields of joy&lt;br/&gt;
Built in me, built by you&lt;br/&gt;
Of old language, that once conquered&lt;br/&gt;
The world, the huge civilization&lt;/p&gt;
&lt;p&gt;Rode they like warriors with passion&lt;br/&gt;
From one land to another,&lt;br/&gt;
There sits a man, from his journey&lt;br/&gt;
Of old days, from the poets corner&lt;br/&gt;
As the rivers empty the burden, into an ocean&lt;br/&gt;
The old story of humans and their makings&lt;br/&gt;
The trails of our adventures in its elation&lt;br/&gt;
There sits a man, in the corner&lt;br/&gt;
There sits a book, with me, in silence!&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8457@desicritics.org</guid>
<pubDate>Sat, 15 Nov 2008 01:25:17 EST</pubDate>
</item>
<item>
<title>Book Review: &lt;i&gt;A Soul of Steel&lt;/i&gt; by Carole Nelson Douglas</title>
<link>http://desicritics.org/2008/11/14/124912.php</link>
<author>Fleiger</author><description>&lt;p&gt;If asked which one person we would have liked to see again, true Holmesians would vote for Irene Norton n&amp;eacute;e Adler with a huge majority, if not by an unanimous vote. &amp;quot;&lt;b&gt;A Soul of Steel&lt;/b&gt;&amp;quot; by &lt;i&gt;Carole Nelson Douglas&lt;/i&gt; is a novel from her &lt;a href=&quot;http://www.amazon.com/gp/series/614/ref=pd_serl_books?ie=UTF8&amp;amp;edition=mass_market&quot; title=&quot;Irene Adler Series&quot;&gt;Irene Adler series&lt;/a&gt; which tries to fulfill that fantasy.&lt;br /&gt;&lt;br /&gt;Irene and her husband Godfrey Norton are spending their &amp;ldquo;posthumous&amp;rdquo; lives with their friend cum housekeeper Miss Penelope Huxleigh in Paris, when a man from Nell Huxleigh&amp;rsquo;s past is thrust in their lives. &lt;br /&gt;&lt;br /&gt;Capt. Emerson Quentin Stanhope, presumed dead in Afghanistan has found that, a decade later, somebody is trying to silence him because of the secrets he holds about battle of Maiwand. And by association, the life of the doctor who saved him in battlefield is also in danger. When he is found, sick and dying, by Irene and her friends, they decide to help him find and warn the Dr. Watson. But, helping Quentin makes them a target for an extremely dangerous hunter, and they have to knock on the doors at 221B, Baker Street to bring the mystery to a safe conclusion.&lt;br /&gt;&lt;br /&gt;Chronologically, the story does take a few liberties with Holmes canon. Taking place some time after &amp;ldquo;Scandal in Bohemia&amp;rdquo;, during and after &amp;ldquo;Naval Treaty&amp;rdquo; (possibly placing it back by some time), it introduces a major character before it appears in canon (If we go by timeline according to this novel, there are some serious questions about Watson&amp;rsquo;s memory re: people trying to kill him). Although, that&amp;rsquo;s just the Holmesian in me cribbing.&lt;br /&gt;&lt;br /&gt;Characters-wise, Godfrey Norton is your Standard English Gentleman, a good friend and a honourable man. He and Irene are completely in love with each other (though their married life sounds a bit more 20th century American than 19th century English) and are equal partners in their adventures. And of course, he is understandably jealous of The Man his wife remains fascinated by.&lt;br /&gt;&lt;br /&gt;Miss &amp;ldquo;Nell&amp;rdquo; Huxleigh is the typical vicar&amp;rsquo;s daughter, governess in a respectable family kind of girl. She is Watson to Irene&amp;rsquo;s Holmes (although she will not approve of that comparison). Loyal to the fault and having lived a sheltered life before sharing in Irene&amp;rsquo;s adventures, Nell is the voice of common sense in the household. And that explains her feelings towards Holmes.&lt;br /&gt;&lt;br /&gt;Irene on the other hand is portrayed as the equal and opposite of Holmes. They both share liking for adventure, the ennui coming out of commonplace existence, the flair for drama, as well as the immovable sense of justice. But where Holmes is an analytical machine, Irene the Prima Donna is impulsive and emotional (in short, dare I say, a woman); jumping into whatever catches her fancy without a thought for dangers involved.&lt;br /&gt;&lt;br /&gt;This is before Watson&amp;rsquo;s stories start getting published, and hence Holmes to Irene&amp;rsquo;s friends is a just paid agent trying to swindle Irene out of her only means of danger. Since this is a story from &amp;ldquo;the other side&amp;rdquo;, that was the only reason I could read the portrayal of Holmes for most part. Given that tone of the novel, I was worried about the eventual meeting between Holmes and Irene, but a careful reading dispelled my doubts. &lt;br /&gt;&lt;br /&gt;In short, if you can&amp;rsquo;t get enough of the world of Holmes, or (like somebody said,) you can&amp;rsquo;t get enough of The Woman who got better of Holmes, this is for you. For me, continuing the series would depend on how they talk about The Man.&lt;br /&gt;&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8456@desicritics.org</guid>
<pubDate>Fri, 14 Nov 2008 12:49:12 EST</pubDate>
</item>
<item>
<title>Poessay: Rosary 17 - Hemashree</title>
<link>http://desicritics.org/2008/11/14/102950.php</link>
<author>temporal</author><description>&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://images.google.ca/imgres?imgurl=http://www.shreejee.net/full-images/696823.jpg&amp;amp;imgrefurl=http://www.shreejee.net/mangalsutra.htm&amp;amp;usg=__AK7QdBfCRdG9BfOaNtkrU63PeSg=&amp;amp;h=450&amp;amp;w=308&amp;amp;sz=22&amp;amp;hl=en&amp;amp;start=129&amp;amp;tbnid=AutKxQ9dwmWEFM:&amp;amp;tbnh=127&amp;amp;tbnw=87&amp;amp;prev=/images%3Fq%3Dmangalsutra%26start%3D120%26gbv%3D2%26ndsp%3D20%26hl%3Den%26sa%3DN&quot;&gt;&lt;img style=&quot;border: 1px solid &quot; src=&quot;http://tbn0.google.com/images?q=tbn:AutKxQ9dwmWEFM:http://www.shreejee.net/full-images/696823.jpg&quot; alt=&quot;&quot; width=&quot;105&quot; height=&quot;152&quot; /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://images.google.ca/imgres?imgurl=http://www.worldartswest.org/plm/guide/resources/images/kathakanklebells.jpg&amp;amp;imgrefurl=http://www.worldartswest.org/main/print.asp%3Ftype%3Dinstruments%26year%3D2007&amp;amp;usg=__R-TLTmEHz-zEjqyhZ_JJM-RPAQU=&amp;amp;h=172&amp;amp;w=220&amp;amp;sz=9&amp;amp;hl=en&amp;amp;start=9&amp;amp;tbnid=fZE-ch4Vp4P7dM:&amp;amp;tbnh=84&amp;amp;tbnw=107&amp;amp;prev=/images%3Fq%3Dghungroo%26gbv%3D2%26hl%3Den%26sa%3DG&quot;&gt;&lt;img style=&quot;border: 1px solid &quot; src=&quot;http://tbn0.google.com/images?q=tbn:fZE-ch4Vp4P7dM:http://www.worldartswest.org/plm/guide/resources/images/kathakanklebells.jpg&quot; alt=&quot;&quot; width=&quot;107&quot; height=&quot;84&quot; /&gt;&lt;/a&gt; &lt;blockquote&gt;&lt;blockquote&gt;&lt;i&gt;the hemashree whose hand&lt;br /&gt;i held in palliative care&lt;br /&gt;was not the one with golden body&lt;br /&gt;and infectious laughter&lt;br /&gt;though i could see the wrinkles&lt;br /&gt;where smiles danced once&lt;br /&gt;around her eyes and mouth&lt;br /&gt;&lt;br /&gt;she was skeletal, taut skin&lt;br /&gt;throaty almost shrill voice&lt;/i&gt;&lt;/blockquote&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;everything is for sale &lt;i&gt;babuji&lt;/i&gt;&lt;br /&gt;some you buy with money&lt;br /&gt;others you can barter&lt;br /&gt;or purchase with promises&lt;br /&gt;there is no person or object&lt;br /&gt;that is without a price tag&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://en.wikipedia.org/wiki/Ghungroo&quot;&gt;ghungh&amp;#39;roo &lt;/a&gt;ho ya  &lt;a href=&quot;http://en.wikipedia.org/wiki/Mangalsutra&quot;&gt;mangalsutra&lt;/a&gt;&lt;br /&gt;&lt;i&gt;sub kay sub hee bikao haiN ji&lt;/i&gt;*&lt;br /&gt;said hemashree, unread, street-smart&lt;br /&gt;&lt;br /&gt; * everyone has a price on their head&lt;/p&gt;
&lt;p&gt;&amp;nbsp;Earlier:&lt;br /&gt; &lt;a href=&quot;/2008/07/22/091943.php&quot; title=&quot;20080722091943&quot; name=&quot;20080722091943&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/24/095714.php&quot; title=&quot;20080724095714&quot; name=&quot;20080724095714&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/26/092106.php&quot; title=&quot;20080726092106&quot; name=&quot;20080726092106&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/22/091943.php&quot;&gt;Poessay: Rosary 1 - Pink Sand Beach&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/07/24/095714.php&quot;&gt;Poessay: Rosary 2 - Fishing&lt;/a&gt;&lt;a href=&quot;/2008/07/26/092106.php&quot; title=&quot;20080726092106&quot; name=&quot;20080726092106&quot;&gt;&lt;br /&gt;Poessay: Rosary 3 - Adam and Eve Limited - I&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/28/000402.php&quot; title=&quot;20080728000402&quot; name=&quot;20080728000402&quot;&gt;Poessay: Rosary 4 - Adam and Eve Limited - II&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/07/31/014507.php&quot; title=&quot;20080731014507&quot; name=&quot;20080731014507&quot;&gt;Poessay: Rosary 5 - Descending&lt;/a&gt;&lt;a href=&quot;/2008/08/01/124450.php&quot; title=&quot;20080801124450&quot; name=&quot;20080801124450&quot;&gt;&lt;br /&gt;Poessay: Rosary 6 - Dinner In The Park&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/08/05/143154.php&quot;&gt;Poessay: Rosary 7 - Under the Jamun Tree&lt;/a&gt;&lt;a href=&quot;/2008/08/12/092156.php&quot; title=&quot;20080812092156&quot; name=&quot;20080812092156&quot;&gt;&lt;br /&gt;Poessay: Rosary 8 - Voices In The Air&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot; title=&quot;20080820060756&quot; name=&quot;20080820060756&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/16/032525.php&quot;&gt;Poessay: Rosary 9 - Life Rosary I&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot; title=&quot;20080820060756&quot; name=&quot;20080820060756&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot;&gt;Poessay: Rosary 10 - Life Rosary II&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/08/27/035902.php&quot;&gt;Poessay: Rosary 11 - Creating In Isolation &lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/08/30/023508.php&quot;&gt;Poessay: Rosary 12 - Kohled Eyes&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/09/04/084113.php&quot;&gt;Poessay: Rosary 13 - By the Lake&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/09/25/081641.php&quot;&gt;Poessay: Rosary 14 - Snow Flakes&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/10/09/041126.php&quot; title=&quot;20081009041126&quot; name=&quot;20081009041126&quot;&gt;Poessay: Rosary 15 - The Drop&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/10/21/115605.php&quot; title=&quot;20081021115605&quot; name=&quot;20081021115605&quot;&gt;Poessay: Rosary 16 - Ageless Quest - tishnagi&lt;/a&gt;&lt;br /&gt;&lt;a title=&quot;#main&quot; name=&quot;#main&quot;&gt;&lt;/a&gt; &lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8452@desicritics.org</guid>
<pubDate>Fri, 14 Nov 2008 10:29:50 EST</pubDate>
</item>
<item>
<title>Survival of the Creative Fittest</title>
<link>http://desicritics.org/2008/11/14/064146.php</link>
<author>Suresh Naig</author><description>&lt;p&gt;It was just 4 years since I was married; the euphoria of love marriage had drained for my wife, which was replaced by other weighty and worldly things. Her warmth and compassion towards me had seen several ups and downs, putting even the Sensex to shame.&lt;br /&gt;&lt;br /&gt;Whatever she had admired and loved in me during our courtship, she felt, had turned against her. She liked my openness and friendly nature, which had ensured a large friends&amp;rsquo; circle for me. The same friends, whom she felt, I earned due to my humorous and witty nature, had become hindrances in her opinion, prying on our privacy.&lt;br /&gt;&lt;br /&gt;She was very creative; even till date she continues to be one, she started focusing her creativity in turning my friends into foes.  It was the age old tactics, which she adopted. Comparing my inadequacy with their positive side, so much so she had the knack in picking up only the positive side of each of my friends, and pitted it against my negative sides.&lt;br /&gt;&lt;br /&gt;She had compared me with a friend of mine, who was very considerate in helping his wife in domestic chores, but he being a &amp;ldquo;Harry Potter&amp;rdquo; did not bother her. His name is Hari and who was fond of &amp;ldquo;pot&amp;rdquo;, the fact which she conveniently forgot, and never took it up for comparison. Or for that matter with another friend, who never missed an opportunity in gifting his wife, at times for as flimsy a reason as cooking palatable food, yet he being a &amp;ldquo;Birbal&amp;rdquo; didn&amp;rsquo;t bother her. My wife knew he had earned the nick name, for his unbridled love for ale, turning his tummy to the shape of a beer barrel, which was never taken up for comparison.&lt;br /&gt;&lt;br /&gt;All her tactics failed to evoke the desired effect and it never impacted me, for two reasons. The day I decided to get married, I had resolved not to get provoked, a euphemism for thick skin. Another reason for her failure was, my creativity being a shade better than her. I told her, &amp;lsquo;if you want me to imbibe all good things from all my friends, soon you may feel that you are sleeping with a stranger than me. I am what I am, and others are what they are&amp;rsquo;. Still it failed to cut ice with her.&lt;br /&gt;&lt;br /&gt;Eventually I told her to put all the things she didn&amp;rsquo;t like about me on a paper and I would do the same thing about her. She agreed readily, for she was confident that my paper would be blank, but I proved her wrong.&lt;br /&gt;&lt;br /&gt;She could manage only two sheets of paper and 30 minutes, but I went with more than six sheets of paper, and well past an hour. I was enjoying her discomfort and anxiety to look into what I was writing, but I refused to show her. We had neatly put our papers into separate envelopes, pasted and as agreed, the waiting started. We had agreed earlier to open it only in bedroom in the night. I was not at all anxious to look into what she had written, as I knew it verbatim, having listened to it for long. I could also predict the reaction of my wife, on witnessing my scribbling.&lt;br /&gt;&lt;br /&gt;And it was as I expected. Tears welling up in her eyes she started punching me, followed by a tight hug, whispering in my ear, &amp;lsquo;you dirty sweet scoundrel, I love you too, though you don&amp;rsquo;t deserve&amp;rsquo;.&lt;br /&gt;&lt;br /&gt;All the six sheets of paper contained only one line, repeated like an imposition writing, as we did in our school. And it was, &lt;br /&gt;&lt;br /&gt;&amp;ldquo;I love you, for what you are, and not you will&amp;rdquo;.  &lt;br /&gt;  &lt;br /&gt;&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8453@desicritics.org</guid>
<pubDate>Fri, 14 Nov 2008 06:41:46 EST</pubDate>
</item>

</channel>
</rss>