<?xml version="1.0" encoding="iso-8859-1"?>
<rss version="2.0">
<channel>
<title>Desicritics Author: temporal</title>
<link>http://desicritics.org/</link>
<description>Superior South Asian bloggers on Culture, Media, Politics, Sport, Business, and Technology.</description>
<language>en</language>
<copyright>Copyright 2006 by the authors</copyright>
<lastBuildDate>Mon, 5 Jan 2009 06:48:44 EST</lastBuildDate>
<docs>http://backend.userland.com/rss</docs>
<generator>BC custom software</generator>

<item>
<title>Poessay: Rosary 23: Musings</title>
<link>http://desicritics.org/2009/01/05/064844.php</link>
<author>temporal</author><description>&lt;p&gt;&lt;a href=&quot;/2008/12/24/132801.php&quot; title=&quot;20081224132801&quot; name=&quot;20081224132801&quot;&gt;&lt;/a&gt;Edge of precipice. Cliff?&lt;br /&gt; Diving board. Looking down into water.&lt;br /&gt;Water?&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;Of hope.&lt;br /&gt;What hope? Mirage. Shimmer. Illusion. Belief in the unseen. Acceptance.&lt;br /&gt;Acceptance? With conviction.&lt;br /&gt;Conviction of what? Faith or reasoning?&lt;br /&gt;&lt;br /&gt;Of reason.&lt;br /&gt;Rationality. Two plus...Cause and...Things not...&lt;br /&gt;Self-existential illusions. Illusions or hoaxes? Certifiable?&lt;br /&gt;&lt;br /&gt;Of faith.&lt;br /&gt;Belief of unfathomed power. Recognizant of the unrecognised.&lt;br /&gt;Unresolved nothingness. Ensconced nothingness. Transference.&lt;br /&gt;&lt;br /&gt;Back to hope, reason, faith. Nothing.&lt;br /&gt;What if nothing is the vacuum cementing life to death.&lt;br /&gt;&lt;br /&gt;Oh death? The final dot. -30- Kaput. Kapitsh. End.&lt;br /&gt;&lt;br /&gt;End, another beginning. Movement towards another dot. To other&lt;br /&gt;unresolved queries. To other needs and desires. To know or to give&lt;br /&gt;in. &lt;/p&gt;
&lt;p&gt;Again.&lt;br /&gt;   Earlier:&lt;br /&gt; &lt;a href=&quot;/2008/07/22/091943.php&quot; title=&quot;20080722091943&quot; name=&quot;20080722091943&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/24/095714.php&quot; title=&quot;20080724095714&quot; name=&quot;20080724095714&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/26/092106.php&quot; title=&quot;20080726092106&quot; name=&quot;20080726092106&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/22/091943.php&quot;&gt;Poessay: Rosary 1 - Pink Sand Beach&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/07/24/095714.php&quot;&gt;Poessay: Rosary 2 - Fishing&lt;/a&gt;&lt;a href=&quot;/2008/07/26/092106.php&quot; title=&quot;20080726092106&quot; name=&quot;20080726092106&quot;&gt;&lt;br /&gt;Poessay: Rosary 3 - Adam and Eve Limited - I&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/28/000402.php&quot; title=&quot;20080728000402&quot; name=&quot;20080728000402&quot;&gt;Poessay: Rosary 4 - Adam and Eve Limited - II&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/07/31/014507.php&quot; title=&quot;20080731014507&quot; name=&quot;20080731014507&quot;&gt;Poessay: Rosary 5 - Descending&lt;/a&gt;&lt;a href=&quot;/2008/08/01/124450.php&quot; title=&quot;20080801124450&quot; name=&quot;20080801124450&quot;&gt;&lt;br /&gt;Poessay: Rosary 6 - Dinner In The Park&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/08/05/143154.php&quot;&gt;Poessay: Rosary 7 - Under the Jamun Tree&lt;/a&gt;&lt;a href=&quot;/2008/08/12/092156.php&quot; title=&quot;20080812092156&quot; name=&quot;20080812092156&quot;&gt;&lt;br /&gt;Poessay: Rosary 8 - Voices In The Air&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot; title=&quot;20080820060756&quot; name=&quot;20080820060756&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/16/032525.php&quot;&gt;Poessay: Rosary 9 - Life Rosary I&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot; title=&quot;20080820060756&quot; name=&quot;20080820060756&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot;&gt;Poessay: Rosary 10 - Life Rosary II&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/08/27/035902.php&quot;&gt;Poessay: Rosary 11 - Creating In Isolation &lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/08/30/023508.php&quot;&gt;Poessay: Rosary 12 - Kohled Eyes&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/09/04/084113.php&quot;&gt;Poessay: Rosary 13 - By the Lake&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/09/25/081641.php&quot;&gt;Poessay: Rosary 14 - Snow Flakes&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/10/09/041126.php&quot; title=&quot;20081009041126&quot; name=&quot;20081009041126&quot;&gt;Poessay: Rosary 15 - The Drop&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/10/21/115605.php&quot; title=&quot;20081021115605&quot; name=&quot;20081021115605&quot;&gt;Poessay: Rosary 16 - Ageless Quest - tishnagi&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/11/14/102950.php&quot;&gt;Poessay: Rosary 17 - Hemashree&lt;/a&gt;&lt;a href=&quot;/2008/11/14/102950.php&quot; title=&quot;#main&quot; name=&quot;#main&quot;&gt;&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/11/19/005401.php&quot; title=&quot;20081119005401&quot; name=&quot;20081119005401&quot;&gt;Poessay: Rosary 18 - burning blazing fire rages&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/11/22/020027.php&quot;&gt;Poessay: Rosary 19 - Word Whirlpool - &lt;i&gt; BhaNwur LafzouN Ka&lt;/i&gt;&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/12/13/013108.php&quot; title=&quot;20081213013108&quot; name=&quot;20081213013108&quot;&gt;Poessay: Rosary 20 - Thanksgiving I &lt;/a&gt; &lt;a href=&quot;/2008/12/19/110114.php&quot; title=&quot;20081219110114&quot; name=&quot;20081219110114&quot;&gt;Poessay: &lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/12/19/110114.php&quot; title=&quot;20081219110114&quot; name=&quot;20081219110114&quot;&gt;Rosary 21: KhamOshi - Wordless&lt;/a&gt;&lt;a href=&quot;/2008/12/19/110114.php&quot; title=&quot;20081219110114&quot; name=&quot;20081219110114&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/12/24/132801.php&quot; title=&quot;20081224132801&quot; name=&quot;20081224132801&quot;&gt;Poessay: &lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/12/24/132801.php&quot; title=&quot;20081224132801&quot; name=&quot;20081224132801&quot;&gt;Rosary 22 - A Simple Poem&lt;/a&gt;&lt;a href=&quot;/2008/12/24/132801.php&quot; title=&quot;20081224132801&quot; name=&quot;20081224132801&quot;&gt;&lt;/a&gt;&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8636@desicritics.org</guid>
<pubDate>Mon, 5 Jan 2009 06:48:44 EST</pubDate>
</item>
<item>
<title>poetry: january 1, 2009</title>
<link>http://desicritics.org/2009/01/01/153929.php</link>
<author>temporal</author><description>&lt;p&gt;georgiou emptied the bins - coffee cups,&lt;br /&gt; crushed cans, mickeys, wrappers, paper tissues &lt;br /&gt; and sweeeping the Nathan Phillips Square&lt;br /&gt; gathered frozen kisses, melting sighs,&lt;br /&gt; discarded resolutions and shouted greetings &lt;br /&gt; that had ushered in the first day of an uncertain year &lt;br /&gt; as he went about methodically he knew he&amp;#39;d survive &lt;br /&gt; - as would most in the west, relatively unscathed&lt;br /&gt; &lt;br /&gt; the future is full of long shadows &lt;br /&gt; for those in occupied Gaza, Somalia, &lt;br /&gt; Darfur, FATA, Afghanistan, Iraq...&lt;br /&gt; the world has shuttered the window &lt;br /&gt; blinds drawn&lt;br /&gt; &lt;blockquote&gt;&lt;i&gt;wish you and those around you&lt;/i&gt;&lt;br /&gt;&lt;i&gt; health and peace for the coming months&lt;/i&gt;&lt;br /&gt;&lt;/blockquote&gt; having put in his hours in the chill&lt;br /&gt; georgiou smiled pensively, took off work gloves&lt;br /&gt; changed and went home&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8629@desicritics.org</guid>
<pubDate>Thu, 1 Jan 2009 15:39:29 EST</pubDate>
</item>
<item>
<title>Poessay: I&#039;m Not Dev Das and You&#039;re Not Anarkali</title>
<link>http://desicritics.org/2008/12/31/122007.php</link>
<author>temporal</author><description>&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;  &lt;img src=&quot;http://www.dawn.com/weekly/gallery/images/gallery4c.jpg&quot; alt=&quot;&quot; hspace=&quot;5&quot; width=&quot;202&quot; height=&quot;144&quot; align=&quot;left&quot; /&gt;&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt; painting - Gulgee&lt;br /&gt; &lt;br /&gt;Permanence is a Utopian illusion. It is nurtured by groups that ferment a vested interest - popes, padres, rabbis, maulvis, pundits, financiers - purveyors of permanence. &lt;br /&gt; &lt;br /&gt; Insomniac Dream Sellers of&lt;br /&gt;Truth, Beauty, Wisdom, Courage, Love, Anger, Hatred&lt;br /&gt; &lt;br /&gt;Sea&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; and Mountain&lt;br /&gt;Enslaved and encircled with smile.&lt;br /&gt;&lt;br /&gt;Then the smile melted&lt;br /&gt;His?&lt;br /&gt;Her&amp;#39;s?&lt;br /&gt;His smile melted her? Her smile melted him?&lt;br /&gt;0r like the shivering polar ice&lt;br /&gt;Melting under the rape of environment&lt;br /&gt;Euphemism for global warming&lt;br /&gt;&lt;br /&gt;Sea - the mother of transmogrification&lt;br /&gt;-clouds, snow, rain, lakes, rivers&lt;br /&gt;And completing the circle - sea&lt;br /&gt;&lt;br /&gt;The circular reverberation&lt;br /&gt;Womb - grave - womb&lt;br /&gt;Is the tale of drops&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; spermatozoa&lt;br /&gt;&amp;quot;Read, read in the names of thy Lord...&amp;quot;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;*** &lt;br /&gt;&lt;/p&gt;
&lt;p&gt;for believers it is Him&lt;br /&gt;for others some grand design&lt;br /&gt;that would finally still&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;                              the drop&lt;br /&gt;the last meltdown&lt;br /&gt;when neither love&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;                             nor hate&lt;br /&gt;will deter, defer, persuade or play&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; when the smile&lt;br /&gt;will last for ever sans flesh&lt;br /&gt;&lt;br /&gt;we, who indulge in super hate&lt;br /&gt;we, who miss not an opportunity&lt;br /&gt;to throw barbs, grenades&lt;br /&gt;and uranium tipped mines and bombs&lt;br /&gt;we, who excel at malevolence&lt;br /&gt;- when will love conquer us?&lt;br /&gt; &lt;blockquote&gt;yaadOn ka guldasta thamay* &lt;br /&gt;  sar-saratay sukoon maiN ghar&amp;#39;q&lt;br /&gt;   jub saa&amp;#39;yay hum aa ghosh hotay haiN&lt;br /&gt;   tou mudhoshi ki devi bhee &lt;br /&gt;  khud hee muskurati hogi&lt;br /&gt;   hosh apnay kho bethti hogi&lt;br /&gt;     &lt;br /&gt;  ab tou yaad ki baiRiyouN maiN qaid &lt;br /&gt;  dabay qadmON&amp;nbsp; t&amp;#39;ra tasawwur &lt;br /&gt;  youN chala aata hay kay &lt;br /&gt;  khood faraibi ka shaiba &lt;br /&gt;  bhee choo ker nahiN guzarta&lt;br /&gt;  choti ki is joostujoo maiN &lt;br /&gt;  khaai maiN girnay ka ehsaas kisay&lt;br /&gt; &lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;said the bluebird  to the bulbul &lt;br /&gt; the simpleton is unaware &lt;br /&gt; and the curmudgeon unconcerned&lt;br /&gt; love has been cremated&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; in hiroshima&lt;br /&gt;&lt;br /&gt;Man shorn of humanity is hurting and hurtling down the precipice, brakes worn, singling gaily, oblivious of the rushing winds of time, aware but not cognizant of the abyss.&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;_________________________________________________ &lt;br /&gt;* translation:&lt;br /&gt;&lt;br /&gt;clutching the bouquet of memories&lt;br /&gt;and drowned in the whispering quiet&lt;br /&gt;as the shadows embrace&lt;br /&gt;the goddess of intoxication&lt;br /&gt;would smile at herself&lt;br /&gt;while letting go of sobriety&lt;br /&gt;&lt;br /&gt;bounded in memory-chains&lt;br /&gt;your thoughts tiptoe&lt;br /&gt;swirling and cascading&lt;br /&gt;around whims and doubts&lt;br /&gt;&lt;br /&gt;in the strive to conquer the peak&lt;br /&gt;who thinks of a fall into the abyss&lt;br /&gt;&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8627@desicritics.org</guid>
<pubDate>Wed, 31 Dec 2008 12:20:07 EST</pubDate>
</item>
<item>
<title>A Different World Part II: Zina ul Haq&#039;s Debauchery</title>
<link>http://desicritics.org/2008/12/30/032751.php</link>
<author>temporal</author><description>&lt;p&gt;(Continued from&lt;a href=&quot;/2008/12/22/135822.php&quot; title=&quot;20081222135822&quot; name=&quot;20081222135822&quot;&gt; A Different World Part I : A Travelogue of Sorts&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;The irony is this: people on both side of the frontiers were predominantly Punjabis. Only fifty plus years back they spoke the same language, looked the same, shared similar culture and passions, but today they are different...not physically different...but in their mindset and attitude.&lt;br /&gt;&lt;br /&gt;Zina-ul-Haq (&lt;i&gt;Zina&lt;/i&gt; means rape: Haq is Truth &amp;ndash; my coinage for the erstwhile dictator) induced religious stupor had flamed the latent fundamentalism and created such a wide gulf of intolerance and divide that most Pakistanis today accept segregation as the norm. Some even elevate it with piety. He unleashed his version of Islam that has polarized Pakistanis, increased the chasm not only between Sunnis and Shias but also between Sunnis themselves as well as fanning parochial differences between residents of all provinces.&lt;br /&gt;&lt;br /&gt;The denial of one&amp;#39;s roots and ersatz emphasis on a culture that was and is almost alien led to an influx of mental and sexual depravity. The orthodox misinterpreters of religion (read Islam) twist and bend the religious injunctions to satisfy their limited understanding and fetishes. This increase in provincialism, parochialism and ethnic diversity played well in the hands of manipulative politicians and the &lt;b&gt;occupying army&lt;/b&gt;. Divide and Rule!&lt;br /&gt;&lt;br /&gt;And it has also led to the killing of Pakistanis by other Pakistanis in the name of the same Allah.&lt;br /&gt;&lt;br /&gt;Today&amp;#39;s West Punjab and indeed Pakistan is set on a different course. Not the one envisioned by any of her founders or detractors in their wildest hallucination.&lt;br /&gt;&lt;br /&gt;Off the intersection of Aram Bagh Road and Bunder Road, now M. A Jinnah Road, the Pakistani equivalent of Indian cities&amp;#39; Gandhi Margs, there is a side street. To the south is Dow Medical College and to the north is Pakistan Chowk. At the end of this side street there is a &lt;i&gt;gurdwara&lt;/i&gt;, I was told. I had dragged M through the traffic, dirt and pollution but all we could see was the walls. The side street was a furniture market and unless you knew there was a &lt;i&gt;gurdwara&lt;/i&gt; once there you would miss it.&lt;br /&gt;&lt;br /&gt;In &lt;a href=&quot;/2008/03/04/003259.php&quot;&gt;Mata: &lt;i&gt;Meem, Alif, Tay, Alif&lt;/i&gt;&lt;/a&gt;&amp;nbsp; I had written&amp;nbsp; about visiting some of the mandirs in Karachi:&lt;br /&gt;&lt;blockquote&gt;Karachi has lots of mandirs. And there are a few functioning ones too that I visited. There is one in Clifton, one across from the KMC building on M A Jinnah Road, one near the old Native Jetty Bridge, two in Soldier Bazaar and one in Amil Colony # 2 near the Islamia College. And there is a crumbling one on the beach in Manora that ravages of time has turned into a crumbling structure.&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;The Lakshmi Narayan Mandir across from KMC building on M. A. Jinnah road is in a compound. When we visited it one afternoon, the mandir was closed and some boys were playing cricket nearby. One twelve year old asked us if we were Hindus. M smiled and said she is an &lt;i&gt;insaan&lt;/i&gt;. The kid nodded wisely. &lt;blockquote&gt;&lt;blockquote&gt;&lt;i&gt;Tu Hindu banayga na Musalmaan banayga&lt;br /&gt;Insaan ki aulad hay insaan banayga&lt;br /&gt;&lt;br /&gt;Neither a Hindu nor Muslim will you be&lt;br /&gt;A human you are, a human you shall be&lt;/i&gt;&lt;/blockquote&gt;&lt;/blockquote&gt;Another day we visited one in Soldier Bazaar. One thing is imprinted on my mind from that visit. Inside the sanctum sanctorium on the far wall &lt;b&gt;Mata&lt;/b&gt; was spelled in glittering Urdu lettering, about two feet high - &lt;i&gt;meem-alif-tay-alif&lt;/i&gt;. &lt;i&gt;Mata &lt;/i&gt;was written in multicolored glitter ribbons, the kind used in garlands and for decorating the bridal car. &lt;a href=&quot;/2008/03/04/003259.php&quot;&gt;Mata: &lt;i&gt;Meem, Alif, Tay, Alif&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;/blockquote&gt;Karachi is&amp;nbsp; perhaps in the top twenty cities of the world by population. It citizens are always on the go and unaware of its history and heritage. Less than one in twenty Karachite is aware of a fort in Karachi. It is a city of affluence and poverty - of palaces and mansions with high walls, private zoos, monitoring cameras and Kalshnikov carrying guards and jhuggis and huts. In a nation where prohibition is the law, more alcohol is consumed than can ever be imagined to the loss of the exchequer. The private bars of individuals would shame the sommelier of a seven star establishment.&lt;br /&gt;&lt;br /&gt;In one evening friends spend more at the BarBQ Hut or Coppper Kettle than the average monthly salaries of their drivers and servants.&amp;nbsp; The poor can be seen lining outside modest&amp;nbsp; hotels in the evening, where the affluent drive by and pay up for the meals for 20 or 30 people. &lt;br /&gt;&lt;br /&gt;The middle class wants to shrivel and disappear. It is despondent and despairing.&lt;br /&gt;&lt;br /&gt;Lawlessness is rampant and its acceptance is annoying for the casual visitor. Almost everyone you meet has had their cellphones snatched or robbed at gun point at least once. Every acquaintance you meet has a home robbery tale for you.&lt;br /&gt;&lt;br /&gt;My notes for the trip - names, places, times and photos stored on the Palm Treo were lost to a gun totting polite robber. &amp;quot;Uncle, please give me your cell phone.&amp;quot; With the gun inches away from the stomach, there were few options available. The phone was replaced the next day but it took me a long time to get over the loss of those notes. &lt;br /&gt;&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8617@desicritics.org</guid>
<pubDate>Tue, 30 Dec 2008 03:27:51 EST</pubDate>
</item>
<item>
<title>Israel &amp;amp; Palestine: Force Is Never the Solution</title>
<link>http://desicritics.org/2008/12/29/012514.php</link>
<author>temporal</author><description>&lt;p&gt;Taking advantage of the lame duck Presidency of Bush, the deliberate distancing of President Elect there-is-only-one-president Obama, the holidays in the West and the attending low emphasis of politicians, Israeli Air Force launched a devastating attack on Gaza.&lt;br /&gt;&lt;br /&gt;Israel is the non NPT signatory Occupier in the Gaza Strip and the West Bank, Golan and East Jerusalem, aided (up to 5 billion a year) and abetted by the West.&lt;br /&gt;&lt;br /&gt;President of the Palestinian Authority Mahmood Abbas is perceived as an Palestinian Uncle Tom and he was soundly beaten in the elections by Hamas.&lt;br /&gt;&lt;br /&gt;The infamous US dichotomy re: democracy sprung into action and immediately cut off all aid to Hamas in the Gaza Strip. It also twisted its allies and lackeys&amp;#39; arms (including Canada&amp;#39;s) to do the same. This US amnesiac approach is well documented and understood globally. Do as I say, not as I do.&lt;br /&gt;&lt;br /&gt;Hamas leadership did not go to the same school.&lt;br /&gt;&lt;br /&gt;This latest foray into the Gaza Strip would wane away sooner or later. But the violence and &amp;quot;terrorism&amp;quot; it would spawn would perpetuate the cycle for long.&lt;br /&gt;&lt;br /&gt;Can anything be done to avoid the unnecessary spiralling of violence? I have written about the solution before here:  &lt;a href=&quot;/2008/05/12/074614.php&quot;&gt;Peace With Dignity: Another Gift For Israel&lt;/a&gt;&lt;a href=&quot;/2008/05/12/074614.php&quot; title=&quot;#main&quot; name=&quot;#main&quot;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Criticizing Zionism is &lt;a href=&quot;http://www.counterpunch.org/avnery01192004.html&quot;&gt;NOT&lt;/a&gt; anti-Semitism. States do not exist without an &amp;ldquo;official&amp;rdquo; map. Israel has to exist. Its citizens have a right to live in peace and harmony within its defined borders. They forget that to ensure this its neighbors should also have the same rights.&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;Both Israel and Palestinians have to demonstrate more effectively that they want to live in peace and do not want to kill, maim, expel from their land. It is for them to deliberate and decide if this should come under One State of Two State solution.&lt;br /&gt;&lt;br /&gt;The world should help them reach this decision but should not refrain to remind Israel that it should curb its policies of &lt;b&gt;occupation, subjugation, ethnic cleansing, and terrorising. &lt;/b&gt;&lt;br /&gt;&lt;br /&gt;We should encourage initiatives that will let &lt;b&gt;all&lt;/b&gt; Israelis and Palestinians to live &lt;b&gt;in peace, with dignity, justice and guaranteed fundamental human rights&lt;/b&gt; in secure borders, as enshrined in the various UN resolutions.    &lt;/p&gt;
&lt;p&gt;To remove misgivings, doubts and suspicions, international bodies including the UN, the European Union, OIC should be enlisted to provide guarantees. Peace in the region is not to be equated with death for the state of Israel.&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;Israel portrays itself as the David but acts as the Goliath in the region. Here are the (boxing preliminary) statistics of Israel and the Palestinians of the occupied Gaza Strip. &lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Occupier Goliaths&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;High quality tanks     970&lt;br /&gt;Medium and low quality tanks     1830&lt;br /&gt;APCs, IFVs, ARVs, LCVs     6930    &lt;br /&gt;Self-propelled artillery     1204&lt;br /&gt;Combat warplanes     875    &lt;br /&gt;Transport warplanes     84    &lt;br /&gt;Training warplanes     171&lt;br /&gt;Military helicopters     286&lt;br /&gt;Heavy SAM batteries     25&lt;br /&gt;Warships     13    &lt;br /&gt;Submarines     3    &lt;br /&gt;Patrol boats     50     50&lt;br /&gt;nuclear bombs over 300-500&lt;br /&gt;&lt;b&gt;&lt;br /&gt;The Occupied Davids&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Five major militant factions operate in Gaza. These are the Islamic groups Hamas and Islamic Jihad; the Al Aqsa Martyrs&amp;#39; Brigade, which is loosely tied to Abbas&amp;#39; Fatah faction; the Popular Resistance Committees, a shadowy umbrella group; and the Popular Front for the Liberation of Palestine. The size of the groups is unclear, but they are &lt;b&gt;equipped with assault rifles, mortars, anti-tank missiles, homemade rockets and other explosives. &lt;/b&gt;&lt;br /&gt;&lt;br /&gt;****&lt;br /&gt;&lt;br /&gt;The point &lt;b&gt;neoconzix &lt;/b&gt;in Israel and the West refuse to fathom:&amp;nbsp; &lt;b&gt;force is never the solution.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</description>
<category>Politics</category><guid isPermaLink="false">8616@desicritics.org</guid>
<pubDate>Mon, 29 Dec 2008 01:25:14 EST</pubDate>
</item>
<item>
<title>Poessay: Rosary 22 - A Simple Poem</title>
<link>http://desicritics.org/2008/12/24/132801.php</link>
<author>temporal</author><description>&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;  &lt;img src=&quot;http://www.dawn.com/weekly/gallery/images/gallery2c.jpg&quot; alt=&quot;&quot; hspace=&quot;5&quot; width=&quot;144&quot; height=&quot;202&quot; align=&quot;left&quot; /&gt; &lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;painting -nahid raza&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;love me or let me go&lt;br /&gt;&lt;/i&gt;the crooner sang&lt;br /&gt;as i channel surfed,&lt;br /&gt;ate, walked, read,&lt;br /&gt;intermittently gazed&lt;br /&gt;at this ball point&lt;br /&gt;wrote, paused and&lt;br /&gt;pondered over the feel&lt;br /&gt;of all the pens have possessed&lt;br /&gt;ball points with fine points&lt;br /&gt;blue, black, red, even green&lt;br /&gt;old fashioned ink filled pens&lt;br /&gt;ah the old &lt;i&gt;parker&lt;/i&gt;&lt;br /&gt;the &lt;i&gt;zee&lt;/i&gt; nibs, the ink pots&lt;br /&gt;stained hands &lt;i&gt;and&lt;/i&gt; clothes&lt;br /&gt;the set of unused calligraphy pens&lt;br /&gt;pens with cushy holders&lt;br /&gt;handcrafted tops&lt;br /&gt;folding pens for travel&lt;br /&gt;thin pens, modulated pens&lt;br /&gt;and reminisced&lt;br /&gt;the &lt;i&gt;feel &lt;/i&gt;of my favourite pen&lt;br /&gt;a pen warm and flowing&lt;br /&gt;comfortably imprisoning wayward words&lt;br /&gt;&lt;blockquote&gt;laikin kalam qal`m ka marhoon e minnat kahaaN?&lt;br /&gt;aamud hoti hay kalam ki&lt;br /&gt;phir woh sadiON seena ba seena&lt;br /&gt;musafat tay karta hu`aye&lt;br /&gt;safha e zaati say safha e qartaas per&lt;br /&gt;kabhi youN muntakil hota hay&lt;br /&gt;kay paRhnay wala baisakhta bOl oothay&lt;br /&gt;`wallah! kya baat paida ki hay dost&lt;br /&gt;yehi baat tO m`ray dil maiN thee&lt;br /&gt;yehi baat tO maiN kehna chahta thaa...`&lt;br /&gt;&lt;/blockquote&gt;words&lt;br /&gt;ensconced in dictionaries&lt;br /&gt;listless and trembling&lt;br /&gt;only a writer&amp;#39;s pen&lt;br /&gt;can furnish them a soul&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;through the centuries, bosom to bosom&lt;br /&gt;brain to brain, to impulses, to fingers&lt;br /&gt;to pen, to ink, to paper&lt;br /&gt;the journey enigmatic, intricate and involved&lt;br /&gt;&lt;br /&gt;flawlessly the moving finger infuses&lt;br /&gt;words - simple, loaded&lt;br /&gt;burnished in the heart&lt;br /&gt;and when reader reads &lt;br /&gt;s/he simply nods in agreement&lt;br /&gt;at the palpitations shared&lt;/p&gt;
&lt;p&gt;i get up&lt;br /&gt;fetch some water&lt;br /&gt;return, read, surf&lt;br /&gt;write and rewrite&lt;br /&gt;as the crooner sings&lt;br /&gt;&amp;hellip;&lt;i&gt;or love me forever&amp;hellip;&lt;/i&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:WordDocument&gt;   &lt;w:View&gt;Normal&lt;/w:View&gt;   &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:PunctuationKerning/&gt;   &lt;w:ValidateAgainstSchemas/&gt;   &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:Compatibility&gt;    &lt;w:BreakWrappedTables/&gt;    &lt;w:SnapToGridInCell/&gt;    &lt;w:WrapTextWithPunct/&gt;    &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState=&quot;false&quot; LatentStyleCount=&quot;156&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt; &lt;!--  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:&quot;&quot;; 	margin:0in; 	margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:12.0pt; 	font-family:&quot;Times New Roman&quot;; 	mso-fareast-font-family:&quot;Times New Roman&quot;;} a:link, span.MsoHyperlink 	{color:blue; 	text-decoration:underline; 	text-underline:single;} a:visited, span.MsoHyperlinkFollowed 	{color:purple; 	text-decoration:underline; 	text-underline:single;} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.25in 1.0in 1.25in; 	mso-header-margin:.5in; 	mso-footer-margin:.5in; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:&quot;Table Normal&quot;; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-parent:&quot;&quot;; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin:0in; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:10.0pt; 	font-family:&quot;Times New Roman&quot;; 	mso-ansi-language:#0400; 	mso-fareast-language:#0400; 	mso-bidi-language:#0400;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;/p&gt;
&lt;p&gt;Earlier:&lt;br /&gt; &lt;a name=&quot;20080722091943&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/22/091943.php&quot; title=&quot;20080722091943&quot;&gt;&lt;/a&gt;&lt;a name=&quot;20080724095714&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/24/095714.php&quot; title=&quot;20080724095714&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/26/092106.php&quot; title=&quot;20080726092106&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/22/091943.php&quot;&gt;Poessay: Rosary 1 - Pink Sand Beach&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/07/24/095714.php&quot;&gt;Poessay: Rosary 2 - Fishing&lt;/a&gt;&lt;a name=&quot;20080726092106&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/26/092106.php&quot; title=&quot;20080726092106&quot;&gt;&lt;br /&gt; Poessay: Rosary 3 - Adam and Eve Limited - I&lt;br /&gt; &lt;/a&gt;&lt;a name=&quot;20080728000402&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/28/000402.php&quot; title=&quot;20080728000402&quot;&gt;Poessay: Rosary 4 - Adam and Eve Limited - II&lt;/a&gt;&lt;br /&gt; &lt;a name=&quot;20080731014507&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/31/014507.php&quot; title=&quot;20080731014507&quot;&gt;Poessay: Rosary 5 - Descending&lt;/a&gt;&lt;a name=&quot;20080801124450&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/01/124450.php&quot; title=&quot;20080801124450&quot;&gt;&lt;br /&gt; Poessay: Rosary 6 - Dinner In The Park&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/08/05/143154.php&quot;&gt;Poessay: Rosary 7 - Under the Jamun Tree&lt;/a&gt;&lt;a name=&quot;20080812092156&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/12/092156.php&quot; title=&quot;20080812092156&quot;&gt;&lt;br /&gt; Poessay: Rosary 8 - Voices In The Air&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot; title=&quot;20080820060756&quot;&gt;&lt;br /&gt; &lt;/a&gt;&lt;a href=&quot;/2008/08/16/032525.php&quot;&gt;Poessay: Rosary 9 - Life Rosary I&lt;/a&gt;&lt;a name=&quot;20080820060756&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot; title=&quot;20080820060756&quot;&gt;&lt;br /&gt; &lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot;&gt;Poessay: Rosary 10 - Life Rosary II&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/08/27/035902.php&quot;&gt;Poessay: Rosary 11 - Creating In Isolation &lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/08/30/023508.php&quot;&gt;Poessay: Rosary 12 - Kohled Eyes&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/09/04/084113.php&quot;&gt;Poessay: Rosary 13 - By the Lake&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/09/25/081641.php&quot;&gt;Poessay: Rosary 14 - Snow Flakes&lt;/a&gt;&lt;br /&gt; &lt;a name=&quot;20081009041126&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/10/09/041126.php&quot; title=&quot;20081009041126&quot;&gt;Poessay: Rosary 15 - The Drop&lt;/a&gt;&lt;br /&gt; &lt;a name=&quot;20081021115605&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/10/21/115605.php&quot;&gt;Poessay: Rosary 16 - Ageless Quest - tishnagi&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/11/14/102950.php&quot;&gt;Poessay: Rosary 17 - Hemashree&lt;/a&gt;&lt;a href=&quot;/2008/11/14/102950.php&quot; name=&quot;#main&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/11/14/102950.php&quot; title=&quot;#main&quot;&gt;&lt;/a&gt;&lt;br /&gt; &lt;a name=&quot;20081119005401&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/11/19/005401.php&quot;&gt;Poessay: Rosary 18 - burning blazing fire rages&lt;/a&gt;&lt;b&gt;&lt;br /&gt; &lt;/b&gt;&lt;a href=&quot;/2008/11/22/020027.php&quot;&gt;Poessay: Rosary 19 - Word Whirlpool - &lt;i&gt;BhaNwur LafzouN Ka&lt;/i&gt;&lt;/a&gt;&lt;br /&gt; &lt;a name=&quot;20081213013108&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/12/13/013108.php&quot;&gt;Poessay: Rosary 20 - Thanksgiving I &lt;/a&gt;  &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;/2008/12/19/110114.php&quot;&gt;Poessay: Rosary 21: KhamOshi - Wordless&lt;/a&gt;&lt;a name=&quot;20081219110114&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/12/19/110114.php&quot;&gt;&lt;/a&gt;  &lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8598@desicritics.org</guid>
<pubDate>Wed, 24 Dec 2008 13:28:01 EST</pubDate>
</item>
<item>
<title>A Different World Part I : A Travelogue of Sorts</title>
<link>http://desicritics.org/2008/12/22/135822.php</link>
<author>temporal</author><description>&lt;p&gt;&amp;#39;Sirji will you take our picture?&amp;#39; a college student asked me. And when I nodded he handed me his camera. There were seven of them. They wanted a picture with the &lt;a href=&quot;http://www.sikhnet.com/GoldenTemple&quot;&gt;Golden Temple&lt;/a&gt; in the background. It was an early December morning and the sun was struggling to break through the clouds and the Punjab morning fog.&lt;br /&gt;&lt;br /&gt;				&lt;img id=&quot;SPELLING_ERROR_1&quot; src=&quot;http://fateh.sikhnet.com/sikhnet/Register.nsf/Files/Gt-engraved/$file/gt-engraved.jpg&quot; alt=&quot;Engraving of the Golden Temple by a &amp;lt;span class=&quot; /&gt;&lt;br /&gt;I took off my back-pack and the heavy camera bag and rearranged that group while checking them out through the view-finder for a good angle. This took a few minutes of adjusting, cajoling and coaxing then. When I was ready I snapped three pictures with their cameras.&lt;br /&gt;&lt;br /&gt;Then I asked one of them to take our picture. The young man took his time and took our photograph. That picture turned out to be one of the better ones of both of us from that trip. We have it enlarged and framed over the fireplace in the real &lt;i&gt;baithak.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;We were then at the tail end of our Indian tour, having arrived at Amritsar early that morning from New Delhi. We checked in our bags at the cloak room and then ordered breakfast in the station restaurant. All other passengers had left the platform by then. There we met Henrik and Jacob. Had crossed paths with them thrice in the past few weeks in Jaisalmer, Delhi and &lt;a href=&quot;/2006/03/31/002511.php&quot;&gt;Ratnagiri.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I asked them where they were heading this time.&lt;br /&gt;&amp;#39;Dharamsala, and you?&amp;#39;&lt;br /&gt;&amp;#39;We are crossing Attari to Wagah this morning.&amp;#39;&lt;br /&gt;&amp;#39;You are going to Pakistan?&amp;#39; There was just a hint of incredulity in their tone.&lt;br /&gt;&amp;#39;Afghanistan,&amp;#39; I jokingly replied.&lt;br /&gt;&amp;#39;Good, we will see your pictures in the newspapers.&amp;#39;&lt;br /&gt;&lt;br /&gt;Touring all over India in the aftermath of September 11 we had met many foreign tourists. And Indian tourists too, a testimony to the burgeoning middle class in India. Though both the tour operators as well as State Tourism Agency officials bemoaned of the diminishing number of foreign tourists.&lt;br /&gt;&lt;br /&gt;As we walked around the &lt;i&gt;Darbar Sahib &lt;/i&gt;a kindly and elderly Sikh became our guide, pointing out the highlights. Loudspeakers broadcast the &lt;i&gt;Gurbani Kirtans &lt;/i&gt;sung in the upper floor of the &lt;i&gt;Harmandir Sahib&lt;/i&gt;, the inner sanctum sanctorum. Peace and tranquility mixed with the morning fog and floated soothingly over the water.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;(digression: one of the things I look forward to doing in a new city or country is to visit the oldest house of worship there. I find the peace and calm in those mosques, temples, synagogues, mandirs, gurdwaras very invigorating, calming and overwhelming. Sometimes, the visits produced interesting insights - like the mandir in Port of Spain with pews and the church in Goa or Cochin where we had to take off our shoes. ) &lt;/i&gt;&lt;br /&gt;&lt;br /&gt;After the Golden Temple we stepped back into the bazaar and walked the short distance to &lt;a href=&quot;http://kambojsociety.com/udham_jallianwala.asp&quot;&gt; Jallianwala Bagh&lt;/a&gt;. Paused and paid our respects at the eternal flame in memory of the unarmed civilian Indians who were butchered by General Dyer. There were many families visiting the garden and from their conversation snippets it became apparent they were from Gujarat, Bengal and Tamil Nadu among other places.&lt;br /&gt;&lt;br /&gt;It was still early in the morning but we felt hungry after all that walking around. So we searched around for a restaurant and ordered the traditional &lt;i&gt;sarsooN ka saag and makkai ki roti&lt;/i&gt;. Then we walked through one of the main bazaars to a central chowk.&lt;br /&gt;&lt;br /&gt;It was a typical Indian bazaar scene. Narrow streets, filled with people and cars and scooters and trucks and buses. Crowded, dusty and dirty. Throngs milled about.&lt;br /&gt;&lt;br /&gt;I suggested M to look around and absorb the scene very carefully. In a couple of hours we would be crossing over to the other side. &lt;i&gt;(I had experienced this difference before but this was M&amp;#39;s first foray into the country).&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;In the crowded Amritsar bazaar, in addition to men there were old and young women and children. M would soon find this for herself. What set this crowd apart was that the young and old women were driving cars, riding scooters and bicycles and even motorbikes navigating expertly through the crazy Indian traffic. (Forgive me, sometimes I inadvertently judge desi scenes from a non-desi perspective. Attribute it in part to living in the west for so long.)&lt;br /&gt;&lt;br /&gt;Women owned stalls and kiosks and &lt;i&gt;thelas&lt;/i&gt;. School and College girls also rode bicycles through the traffic.&lt;br /&gt;&lt;br /&gt;At the square I bought two copies of the daily newspapers, the Hindustan Times, Times of India, the Hindu, Indian Express and some local papers and magazines. (the second copy was for Lahore friend Feroz.) The Newspaper stall was managed by a retired journalist named Narang. When he saw the newspaper purchase he inquired if we were heading across the divide. And was kind enough to arrange our transportation to the border. While we were waiting for the car to arrive he ordered tea and we had interesting conversation with him. He talked of Bhindrawale days. How he was an outspoken journalist then and his life was under threat. How Indira Gandhi gave him police protection. Our ride arrived and we had to cut short his tales.&lt;br /&gt;&lt;br /&gt;We were the only travelers to cross over that day. It was closed to local traffic. This was in the aftermath of the attack on the Parliament in Delhi, and the military deployment was notched up all along the border and LoC. As we entered the customs hall the coolie asked us to wait. Finally a Custom Officer emerged, took our passports and disappeared across the road, Half an hour later, he returned and examined our luggage. Picking out a box of Cuban cigars (again for Feroz) he wanted to levy duty on it.&lt;br /&gt;&lt;br /&gt;I asked to see the Superintendent. A petite South Indian Lady with an ear to ear smile came in and was introduced to us as the Asst. Collector. She listened to the Custom Officer and turning to me said I would have to pay the duty. I pointed out the fallacy, this time slightly more forcefully. The &lt;i&gt;Esplendidos &lt;/i&gt;were rolled in Cuba, and I had brought them into India and was now taking them out of India, therefore there was no logic in paying any duty or &amp;#39;export&amp;#39; levies. She understood, smiled and let us go. Simple as that!&lt;br /&gt;&lt;br /&gt;We walked through the no-man&amp;#39;s land into the Islamic Republic. The Rangers and the Custom Officers were sunning themselves in the foggy afternoon sun. After the passport check they wanted to examine our luggage.&lt;br /&gt;&lt;br /&gt;The Custom Officers, two of them, blatantly asked for &lt;i&gt;chai&lt;/i&gt; money. M and I exchanged glances. We were now officially in the Islamic Republic. Later as we left the check post there was a lone taxi cab. He would charge us Rs. 1500 for the short ride into Lahore. Knowing the distance I balked at the highway robbery. I told him, &amp;quot;Think once more before you quote me the fare- I will not negotiate.&amp;quot; He would not budge. I looked up and saw a local bus. I walked over and asked the driver if he would take us and our bags. Sure if you pay for them. So we made it into Lahore in a public bus.&lt;br /&gt;&lt;br /&gt;The Conductor told M &lt;i&gt;&amp;#39;Aap oodhar baithaiN,&amp;#39; &lt;/i&gt;pointing to the caged partition separating the driver and the front section from the rest of the bus. &lt;i&gt;&amp;#39;Woh tO pinjra hay, hum yaheeN baithaiNgay.&amp;#39;&lt;/i&gt; M had spoken. The conductor shook his head and relented.&lt;br /&gt;&lt;br /&gt;For the first thirty minutes of the ride into the Islamic Republic, we saw a lot of people and traffic. But, no women. Even in the center of the town across from the ever busy Lahore Railway Station, at what must have been rush hour, there were few women to be seen. There were no women driving scooters, cars or riding bicycles. Later on we did see women driving cars. Maybe we were in the wrong part of the town. No woman behind any stall or &lt;i&gt;thela&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;And within two hours of crossing the border M confessed, &amp;#39;Look at the way these men are staring...as if they are trying to...&amp;#39;&lt;br /&gt; &lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8591@desicritics.org</guid>
<pubDate>Mon, 22 Dec 2008 13:58:22 EST</pubDate>
</item>
<item>
<title>Poessay: Rosary 21: KhamOshi - Wordless</title>
<link>http://desicritics.org/2008/12/19/110114.php</link>
<author>temporal</author><description>&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;http://images.huffingtonpost.com/gen/52440/original.jpg&quot; alt=&quot;&quot; width=&quot;239&quot; height=&quot;163&quot; /&gt;&lt;/p&gt;
&lt;p&gt;(photo by Brian Mayeux)&lt;/p&gt;
&lt;p&gt;&lt;b&gt;khamOshi&lt;br /&gt;&lt;/b&gt;sukoot&lt;br /&gt;qayam rakhtay hu`aye&lt;br /&gt;oos nay raaz e dil a`yaaN kya&lt;br /&gt;jaanay kis haal maiN hoga woh aaj&lt;br /&gt;lafzON ka yeh ehtraam&lt;br /&gt;jo oos nay sikhaya &lt;br /&gt;qaim hay&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;wordlessly&lt;br /&gt;&lt;/b&gt;inaudibly&lt;br /&gt;she conveyed her&lt;br /&gt;dreams, doubts, aches&lt;br /&gt;don&amp;#39;t know where she is now&lt;br /&gt;this respect for speech&lt;br /&gt;she inculcated&lt;br /&gt;lingers&lt;br /&gt;Earlier:&lt;br /&gt;&lt;a href=&quot;/2008/07/22/091943.php&quot; title=&quot;20080722091943&quot; name=&quot;20080722091943&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/24/095714.php&quot; title=&quot;20080724095714&quot; name=&quot;20080724095714&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/26/092106.php&quot; title=&quot;20080726092106&quot; name=&quot;20080726092106&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/22/091943.php&quot;&gt;Poessay: Rosary 1 - Pink Sand Beach&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/07/24/095714.php&quot;&gt;Poessay: Rosary 2 - Fishing&lt;/a&gt;&lt;a href=&quot;/2008/07/26/092106.php&quot; title=&quot;20080726092106&quot; name=&quot;20080726092106&quot;&gt;&lt;br /&gt;Poessay: Rosary 3 - Adam and Eve Limited - I&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/28/000402.php&quot; title=&quot;20080728000402&quot; name=&quot;20080728000402&quot;&gt;Poessay: Rosary 4 - Adam and Eve Limited - II&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/07/31/014507.php&quot; title=&quot;20080731014507&quot; name=&quot;20080731014507&quot;&gt;Poessay: Rosary 5 - Descending&lt;/a&gt;&lt;a href=&quot;/2008/08/01/124450.php&quot; title=&quot;20080801124450&quot; name=&quot;20080801124450&quot;&gt;&lt;br /&gt;Poessay: Rosary 6 - Dinner In The Park&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/08/05/143154.php&quot;&gt;Poessay: Rosary 7 - Under the Jamun Tree&lt;/a&gt;&lt;a href=&quot;/2008/08/12/092156.php&quot; title=&quot;20080812092156&quot; name=&quot;20080812092156&quot;&gt;&lt;br /&gt;Poessay: Rosary 8 - Voices In The Air&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot; title=&quot;20080820060756&quot; name=&quot;20080820060756&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/16/032525.php&quot;&gt;Poessay: Rosary 9 - Life Rosary I&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot; title=&quot;20080820060756&quot; name=&quot;20080820060756&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot;&gt;Poessay: Rosary 10 - Life Rosary II&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/08/27/035902.php&quot;&gt;Poessay: Rosary 11 - Creating In Isolation &lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/08/30/023508.php&quot;&gt;Poessay: Rosary 12 - Kohled Eyes&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/09/04/084113.php&quot;&gt;Poessay: Rosary 13 - By the Lake&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/09/25/081641.php&quot;&gt;Poessay: Rosary 14 - Snow Flakes&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/10/09/041126.php&quot; title=&quot;20081009041126&quot; name=&quot;20081009041126&quot;&gt;Poessay: Rosary 15 - The Drop&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/10/21/115605.php&quot; title=&quot;20081021115605&quot; name=&quot;20081021115605&quot;&gt;Poessay: Rosary 16 - Ageless Quest - tishnagi&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/11/14/102950.php&quot;&gt;Poessay: Rosary 17 - Hemashree&lt;/a&gt;&lt;a href=&quot;/2008/11/14/102950.php&quot; title=&quot;#main&quot; name=&quot;#main&quot;&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/11/19/005401.php&quot; title=&quot;20081119005401&quot; name=&quot;20081119005401&quot;&gt;Poessay: Rosary 18 - burning blazing fire rages&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/11/22/020027.php&quot;&gt;Poessay: Rosary 19 - Word Whirlpool - &lt;i&gt; BhaNwur LafzouN Ka&lt;/i&gt;&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/12/13/013108.php&quot; title=&quot;20081213013108&quot; name=&quot;20081213013108&quot;&gt;Poessay: Rosary 20 - Thanksgiving I&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8584@desicritics.org</guid>
<pubDate>Fri, 19 Dec 2008 11:01:14 EST</pubDate>
</item>
<item>
<title>A Love For Shoes: This Has Nothing to Do With Iraq and Yet...</title>
<link>http://desicritics.org/2008/12/15/143220.php</link>
<author>temporal</author><description>&lt;div id=&quot;ss-image-container&quot; class=&quot;clickable&quot;&gt;&lt;img id=&quot;ss-image&quot; style=&quot;cursor: pointer; width: 227px; height: 172px&quot; src=&quot;http://www.google.com/hostednews/ap/media/ALeqM5gOfKq1wK4gI5ipr2vhKuFgpl8qiw?size=m&quot; alt=&quot;&quot; hspace=&quot;5&quot; vspace=&quot;5&quot; width=&quot;227&quot; height=&quot;172&quot; align=&quot;left&quot; /&gt;&lt;/div&gt; &lt;blockquote&gt;&lt;i&gt;mera joota hay japani&lt;br /&gt;yeh patloon inglistani&lt;br /&gt;sir pay laal topi roosi&lt;br /&gt;phir bhee dil hay hindustani&lt;/i&gt;&lt;br /&gt;&lt;i&gt;shailendra - shri 420&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;tr:&lt;br /&gt;&lt;br /&gt;my shoes are Japanese&lt;br /&gt;this trouser is English&lt;br /&gt;the red cap &amp;#39;ver my head is Russian&lt;br /&gt;but my heart is all Indian&lt;br /&gt;&lt;/blockquote&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Shoes had a fascination for me. (Notice the tense?)&lt;br /&gt;&lt;br /&gt;The diabolical reason for that fascination was champagne. I had seen some actor drink champagne from his companion&amp;#39;s red high heels. I was enamored with the companion too, but geography won over anatomical inquisitiveness by a few thousand miles - more in kilometers.&lt;br /&gt;&lt;blockquote&gt;Backgrounder: Prince Henry of Prussia visited the Everleigh Club of Chicago in 1902. A dancer&amp;#39;s shoes flew off, hit a wine bottle, spilling some champagne into the shoe. A guest at the table picked up the shoe and imbibed the wine. As if on a cue, everyone there borrowed a shoe from their companion and drank wine from it. In case the reader is fascinated with this more &lt;a href=&quot;http://answers.google.com/answers/threadview?id=70830&quot;&gt;here.&lt;/a&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;/p&gt;
&lt;p&gt;In the mall, or on the street, passing by a shoe store, eyes inadvertently look for red high heeled shoes - whirling sleek stilettos.&lt;br /&gt;&lt;br /&gt;And if encountered on a hourglass bombshell - double the envy. More on Kelly shortly.&lt;br /&gt;&lt;br /&gt;***&lt;br /&gt;&lt;br /&gt;Leather can be tough. It protects the animal through ravages of heat and cold and when turned into footwear it can withstand the wear and tear of trudging miles upon miles. &lt;/p&gt;
&lt;p&gt;Memory is fickle - high school or college it was - when I heard a sweet one warn a friend &lt;i&gt;&amp;quot;jooti khao gay.&amp;quot;&lt;/i&gt; Gold Rush and Charlie Chaplin aside, there was something in her tone that sent a chill up my spine even though the young lady was so diminutive.&lt;br /&gt;&lt;br /&gt;&lt;div class=&quot;imggroup left&quot;&gt;&lt;img src=&quot;http://www.bookrags.com/images/eci/eci_01_img0033.jpg&quot; alt=&quot;A movie still shows Charlie Chaplin in the classic shoe-eating scene from The Gold Rush (1925). (Bettmann/Corbis)&quot; width=&quot;229&quot; height=&quot;229&quot; /&gt;&lt;/div&gt;&lt;div class=&quot;imggroup left&quot;&gt;&lt;i&gt;A movie still shows Charlie Chaplin in the &lt;/i&gt;&lt;/div&gt;&lt;div class=&quot;imggroup left&quot;&gt;&lt;i&gt;classic shoe-eating scene from&lt;/i&gt; The Gold &lt;/div&gt;&lt;div class=&quot;imggroup left&quot;&gt;Rush &lt;i&gt;(1925)&lt;/i&gt;. (Bettmann/Corbis)&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;The scar above my left eyebrow, comes in handy when government directives blatantly ask one to mention scars or body marks on official applications. In the pre-scan passport days they even used calligraphy to highlight this minor blemish for foreign officials.&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;Yes, a leather chappal caused it. She hurled it at my friend J. He ducked. Passports can reveal unusual stories sometimes. &lt;i&gt;[Reading a draft of this M says, &amp;#39;hmmmmmm.&amp;#39; - translation - so you did not fall on your face?]&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;Wonder what George W&amp;#39;s passport says. He &lt;a href=&quot;http://www.reuters.com/article/newsOne/idUSTRE4BD1FG20081214?virtualBrandChannel=10112&quot;&gt;ducked&lt;/a&gt; today. Luckily no one was standing behind him. The shoe hurler also called him man&amp;#39;s best friend.&lt;br /&gt;&lt;br /&gt;I wonder if in Arab culture what is worse, calling one a dog or a pig? Yasmin can you help?&lt;br /&gt;&lt;br /&gt;I also wonder where is Kelly LeBrock? Am not sure if it is the shoes or...&lt;img src=&quot;http://www.timeout.com/film/img/dvd/92345/cover.w200.jpg&quot; alt=&quot;http://www.timeout.com/film/img/dvd/92345/cover.w200.jpg&quot; /&gt;&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8572@desicritics.org</guid>
<pubDate>Mon, 15 Dec 2008 14:32:20 EST</pubDate>
</item>
<item>
<title>Poessay: Rosary 20 - Thanksgiving I </title>
<link>http://desicritics.org/2008/12/13/013108.php</link>
<author>temporal</author><description>&lt;p&gt;these fleeting moments&lt;br /&gt;when urges tell&lt;br /&gt;nay dictate, we bow&lt;br /&gt;to our copy-righted gods&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;zindagi kay yeh guzartay lamhay&lt;br /&gt;rooh ki gehraiyON say oothti khaahishaiN&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; kehtee haiN&lt;br /&gt;hukum daitee haiN sajda karo&lt;br /&gt;apnay munn maiN basay khudaouN ko&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;in that foggy mist&lt;br /&gt;(was it a cavern or tavern?)&lt;br /&gt;came the revelation&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; our lives are but a passage&lt;br /&gt;between two &lt;i&gt;smiles&lt;/i&gt;&lt;br /&gt;come, walk with me&lt;br /&gt;through the misty bazaar&lt;br /&gt;fragmented with contaminates&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; of noise, air(s)&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; of thought, thinking&lt;br /&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; pollutants&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; induced, inherited&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; mental, physical&lt;br /&gt;you must walk with me&lt;br /&gt;&lt;br /&gt;&lt;i&gt;aao m&amp;#39;ray saath&lt;br /&gt;bazaar-e-zindagi ho aa&amp;#39;aiN zara&lt;br /&gt;ghubar kay aqsaam haiN jahaN dast-yaab&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ghubaar&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; raah ka, shOr ka, sOch ka&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; wirasat ka, takhleeq ka&lt;br /&gt;chalo meray saath chalo&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;two &lt;i&gt;smiles&lt;/i&gt; -&lt;/p&gt;
&lt;p&gt;first &lt;i&gt;smile&lt;/i&gt; plays&lt;br /&gt;on the newborn&amp;#39;s lips&lt;br /&gt;no discernment there&lt;br /&gt;matters not if desert winds&lt;br /&gt;or slum`s arrested smell&lt;br /&gt;envelope the infant`s mat&lt;br /&gt;matters not if engineered air&lt;br /&gt;surrounded the mattress,&lt;br /&gt;in some whorehouse&lt;br /&gt;with uniformed attendants&lt;br /&gt;whirling as if ordained&lt;/p&gt;
&lt;p&gt;second &lt;i&gt;smile&lt;/i&gt;&lt;br /&gt;emanates from a body&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; a still body&lt;br /&gt;that has finally resolved&lt;br /&gt;all arguments with the temporal&lt;/p&gt;
&lt;p&gt;between these two &lt;i&gt;smiles&lt;/i&gt;&lt;br /&gt;are submerged a thousand dreams, desires&lt;br /&gt;yours and mine&lt;br /&gt;and infrequently when they come true&lt;br /&gt;another &lt;i&gt;smile&lt;/i&gt; breaks out&lt;br /&gt;unique, furtive, fleeing&lt;br /&gt;&lt;br /&gt;&lt;i&gt;teri meri in mooskurahatON kay baiN&lt;br /&gt;haiN madfun najanay kitnay khaab, khaahishaiN&lt;br /&gt;maauj-e-hawadis gar bad&amp;#39;l day jo naseeb oonka&lt;br /&gt;phir raqsaaN hoti hai ek munfarid mooskurahat&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;and those fleeting moments&lt;br /&gt;chance encounters really&lt;br /&gt;dictate how we bow&lt;br /&gt;to our copy-righted gods&lt;/p&gt;
&lt;p&gt;Earlier:&lt;br /&gt; &lt;a href=&quot;/2008/07/22/091943.php&quot; title=&quot;20080722091943&quot; name=&quot;20080722091943&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/24/095714.php&quot; title=&quot;20080724095714&quot; name=&quot;20080724095714&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/26/092106.php&quot; title=&quot;20080726092106&quot; name=&quot;20080726092106&quot;&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/22/091943.php&quot;&gt;Poessay: Rosary 1 - Pink Sand Beach&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/07/24/095714.php&quot;&gt;Poessay: Rosary 2 - Fishing&lt;/a&gt;&lt;a href=&quot;/2008/07/26/092106.php&quot; title=&quot;20080726092106&quot; name=&quot;20080726092106&quot;&gt;&lt;br /&gt;Poessay: Rosary 3 - Adam and Eve Limited - I&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/07/28/000402.php&quot; title=&quot;20080728000402&quot; name=&quot;20080728000402&quot;&gt;Poessay: Rosary 4 - Adam and Eve Limited - II&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/07/31/014507.php&quot; title=&quot;20080731014507&quot; name=&quot;20080731014507&quot;&gt;Poessay: Rosary 5 - Descending&lt;/a&gt;&lt;a href=&quot;/2008/08/01/124450.php&quot; title=&quot;20080801124450&quot; name=&quot;20080801124450&quot;&gt;&lt;br /&gt;Poessay: Rosary 6 - Dinner In The Park&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/08/05/143154.php&quot;&gt;Poessay: Rosary 7 - Under the Jamun Tree&lt;/a&gt;&lt;a href=&quot;/2008/08/12/092156.php&quot; title=&quot;20080812092156&quot; name=&quot;20080812092156&quot;&gt;&lt;br /&gt;Poessay: Rosary 8 - Voices In The Air&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot; title=&quot;20080820060756&quot; name=&quot;20080820060756&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/16/032525.php&quot;&gt;Poessay: Rosary 9 - Life Rosary I&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot; title=&quot;20080820060756&quot; name=&quot;20080820060756&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href=&quot;/2008/08/20/060756.php&quot;&gt;Poessay: Rosary 10 - Life Rosary II&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/08/27/035902.php&quot;&gt;Poessay: Rosary 11 - Creating In Isolation &lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/08/30/023508.php&quot;&gt;Poessay: Rosary 12 - Kohled Eyes&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/09/04/084113.php&quot;&gt;Poessay: Rosary 13 - By the Lake&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/09/25/081641.php&quot;&gt;Poessay: Rosary 14 - Snow Flakes&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/10/09/041126.php&quot; title=&quot;20081009041126&quot; name=&quot;20081009041126&quot;&gt;Poessay: Rosary 15 - The Drop&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/10/21/115605.php&quot; title=&quot;20081021115605&quot; name=&quot;20081021115605&quot;&gt;Poessay: Rosary 16 - Ageless Quest - tishnagi&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/11/14/102950.php&quot;&gt;Poessay: Rosary 17 - Hemashree&lt;/a&gt;&lt;a href=&quot;/2008/11/14/102950.php&quot; title=&quot;#main&quot; name=&quot;#main&quot;&gt;&lt;/a&gt;&lt;br /&gt; &lt;a href=&quot;/2008/11/19/005401.php&quot; title=&quot;20081119005401&quot; name=&quot;20081119005401&quot;&gt;Poessay: Rosary 18 - burning blazing fire rages&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;/2008/11/22/020027.php&quot;&gt;Poessay: Rosary 19 - Word Whirlpool - &lt;i&gt; BhaNwur LafzouN Ka&lt;/i&gt;&lt;/a&gt;l&lt;/div&gt;&lt;/p&gt;</description>
<category>Culture</category><guid isPermaLink="false">8567@desicritics.org</guid>
<pubDate>Sat, 13 Dec 2008 01:31:08 EST</pubDate>
</item>

</channel>
</rss>